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SDG Cantatafinder



The Cantatafinder is a fan-made search tool and covers Johann Sebastian Bach’s surviving church cantatas recorded under the direction of Sir John Eliot Gardiner.

Author: Alexander Behrens Privacy Policy

In the calendar: 25th Sunday after Trinity BWV 90, 116

The database lists currently 333 works:

ComposerJohann Christoph Bach
TitleFürchte dich nicht
Occasionnot specified
Genremotet
Choirfive-part (divided tenor)
Solo voice-
Instrumentsbasso continuo (violoncello e cembalo)
1st Performanceno details
This recordingSherborne, Abbey Church of St Mary the Virgin live recording, 04 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, Paul Agnew, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 2, track(s) 20

ComposerJohann Kuhnau, arrangement attr. to Johann Sebastian Bach
TitleDer Gerechte kömmt um
Occasionmemorial / funeral motet
Genremotet
Choirfive-part (divided soprano)
Solo voicechoral only
Instrumentsviolino I, violino II, viola, oboe I, oboe II, basso continuo
1st Performanceabout 1730 (this arrangement)
This recordingAnsbach, St Gumbertus live recording, 30 July 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 1, track(s) 13

ComposerJohann Sebastian Bach
TitleBWV 1 Wie schön leuchtet der Morgenstern
OccasionFeast of the Annunciation of the Blessed Virgin Mary
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno I, corno II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 March 1725
This recordingWalpole St Peter's Church (Norfolk) live recording, 26 March 2000
PerformersMonteverdi Choir, Malin Hartelius, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 118, disk 2, track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 2 Ach Gott, vom Himmel sieh darein
Occasion2nd Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe I, oboe II, trombone I, trombone II, trombone III, trombone IV, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 18. June 1724
This recordingParis, Basilique Saint-Denis live recording, 2nd or 3d July 2000
PerformersMonteverdi Choir, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2 (SDG 165), track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 3 Ach Gott, wie manches Herzeleid I
Occasion2d Sunday after Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, trombone, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 14 January 1725
This recordingGreenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 1, track(s) 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 4 Christ lag in Todesbanden
Occasion1st Day of Easter
Genresacred cantata, chorale cantata
Choirfour-part
Solo voice- (all parts are sung by choir in this recording)
Instrumentscornetto, trombone I, trombone II, trombone III, violino I, violino II, viola I, viola II, basso continuo
1st PerformanceMühlhausen or Weimar 1707/08, re-performed in Leipzig 1724 and 1725
This recordingLondon, Аll Saints’ Church, November 1980
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumErato, disk [one disk only], track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 4 Christ lag in Todesbanden
Occasion1st Day of Easter
Genresacred cantata, chorale cantata
Choirfour-part
Solo voice- (all parts are sung by choir in this recording)
Instrumentscornetto, trombone I, trombone II, trombone III, violino I, violino II, viola I, viola II, basso continuo
1st PerformanceMühlhausen or Weimar 1707/08, re-performed in Leipzig 1724 and 1725
This recordingEisenach, Georgenkirche live recording, 23 or 24 April 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 1, track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 5 Wo soll ich fliehen hin
Occasion19th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba (B), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 15 October 1724
This recordingPotsdam, Erlöserkirche live recording, 29 October 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 1, track(s) 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 6 Bleib bei uns, denn es will Abend werden
Occasion2nd Day of Easter
Genresacred cantata
Choirfour-part
Solo voicesoprano (alternatively by choir) alto, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 02 April 1725
This recordingLondon, St. John's, 07 and 08 April 1999
PerformersMonteverdi Choir, Bernarda Fink, Steve Davislim, Julian Clarkson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 66 et al., disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 6 Bleib bei uns, denn es will Abend werden
Occasion2nd Day of Easter
Genresacred cantata
Choirfour-part
Solo voicesoprano (alternatively by choir) alto, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 02 April 1725
This recordingEisenach, Georgenkirche live recording, 24 or 25 April 2000
PerformersMonteverdi Choir, Angharad Gruffydd, Jones Daniel, Taylor James, Gilchrist Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 7 Christ unser Herr zum Jordan kam
OccasionSt. John the Baptist (24 June)
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 24 June 1724
This recordingLondon, St. Giles Cripplegate live recording, 23 or 24 June 2000
PerformersMonteverdi Choir, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 1, track(s) 6 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 8 Liebster Gott, wenn werd ich sterben (E major)
Occasion16th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 24 September 1724 (initial version in E major)
This recordingSantiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 2, track(s) 13 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 9 Es ist das Heil uns kommen her
Occasion6th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, viola, flauto traverso, oboe d'amore, basso continuo
1st PerformanceLeipzig, presumably between 1724 and 1735
This recordingAnsbach, St Gumbertus live recording, 30 July 2000
PerformersMonteverdi Choir, Joanne Lunn, Michael Chance, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 10 Meine Seel erhebt den Herren
OccasionVisitation of the Blessed Virgin Mary
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 July 1724
This recordingParis, Basilique Saint-Denis live recording, 2nd or 3d July 2000
PerformersMonteverdi Choir, Lisa Larsson, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 11 Lobet Gott in seinen Reichen
OccasionAscension Day
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably 19 May 1735
This recordingLondon, All Saints’ Church, October 1993
PerformersMonteverdi Choir, Nancy Argenta, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 128 et al., disk [one disk only], track(s) 23 24 25 26 27 28 29 30 31 32 33

ComposerJohann Sebastian Bach
TitleBWV 11 Lobet Gott in seinen Reichen
OccasionAscension Day
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably 19 May 1735
This recordingLondon, St. Giles' Cripplegate, 10 May 2012
PerformersMonteverdi Choir, Lenneke Ruiten, Meg Bragle, Andrew Tortise, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 185, disk [one disk only], track(s) 23 24 25 26 27 28 29 30 31 32 33

ComposerJohann Sebastian Bach
TitleBWV 12 Weinen, Klagen, Sorgen, Zagen
OccasionJubilate
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba, oboe, violino I, violino II, viola I, viola II, fagotto, basso continuo
1st PerformanceWeimar, 1714 (revised on 30 April 1724; this recording is based on the revised version; the second movement underlies BWV 232, Symbolum Nicenum, Credo, Chorus Cruzifixus
This recordingAltenburg, Schlosskirche live recording,14 May 2000
PerformersMonteverdi Choir, William Towers, Mark Padmore, Julian Clarkson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 13 Meine Seufzer, meine Tränen
Occasion2d Sunday after Epiphany
Genresacred cantata
Choirfour-part (limited to cantus firmus [alto, No. 3 ] and final chorale)
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto dolce I, flauto dolce II, oboe, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 January 1726
This recordingGreenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 1, track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 14 Wär Gott nicht mit uns diese Zeit
Occasion4th Sunday after Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 January 1735
This recordingRomsey, Romsey Abbey live recording, 30 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 2, track(s) 14 15 16 17 18

ComposerJohann Ludwig Bach
TitleBWV 15 Denn du wirst meine Seele nicht in der Hölle lassen
Occasion1st Day of Easter
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, violino I, violino II, viola, basso continuo
1st Performance1704?
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 16 Herr Gott, dich loben wir
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno da caccia (C), oboe I, oboe II, oboe da caccia, violino I, violino II, viola, violetta, basso continuo
1st PerformanceLeipzig, 01 January 1726
This recordingLondon, St. Giles Cripplegate, December 1998
PerformersMonteverdi Choir, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 98 et al., disk [one disk only], track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 16 Herr Gott, dich loben wir
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno da caccia (C), oboe I, oboe II, oboe da caccia, violino I, violino II, viola, violetta, basso continuo
1st PerformanceLeipzig, 01 January 1726
This recordingBerlin, Gethsemanekirche live recording, 1 January 2000
PerformersMonteverdi Choir, Charles Humphries, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 1, track(s) 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 17 Wer Dank opfert, der preiset mich
Occasion14th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 22 September 1726
This recordingAmbronay, Abbaye d'Ambronay live recording, 24 September 2000
PerformersMonteverdi Choir, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 1, track(s) 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 18 Gleichwie der Regen und Schnee vom Himmel fällt
OccasionSexagesimae
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsflauto dolce I, flauto dolce II, viola I, viola II, viola III, viola IV, violoncello obligato, fagotto, basso continuo
1st PerformanceWeimar, 1713-1714?, revised later in Leipzig
This recordingSouthwell (Nottinghamshire), Southwell Minster, live recording, 27 February 2000
PerformersMonteverdi Choir, Gillian Keith, James Gilchrist, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 2, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 19 Es erhub sich ein Streit (Johann Sebastian Bach)
OccasionMichaelmas Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe da caccia, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 29 September 1726
This recordingBremen, Unser Lieben Frauen live recording, 29 September 2000
PerformersMonteverdi Choir, Malin Hartelius, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 2, track(s) 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 20 O Ewigkeit, du Donnerwort I
Occasion1st Sunday after Trinity
Genresacred cantata; chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba da tirarsi (C), oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 11 June 1724
This recordingLondon, St. Giles Cripplegate live recording, 25 or 26 June 2000
PerformersMonteverdi Choir, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 2, track(s) 22 23 24 25 26 27 28 29 30 31 32

ComposerJohann Sebastian Bach
TitleBWV 21 Ich hatte viel Bekümmernis
Occasion3rd Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, trombone I, trombone II, trombone III, trombone IV, oboe, violino I, violino II, viola, basso continuo
1st Performanceof this version: Weimar, 17 Junе 1714
This recordingZürich, Fraumünster live recording, 8th or 9th July 2000
PerformersMonteverdi Choir, Katharine Fuge, (Robin Tyson - solo sections within the choral part), Vernon Kirk, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2 (SDG 165), track(s) 1 2 3 4 5 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 22 Jesus nahm zu sich die Zwölfe
OccasionQuinquagesima; application piece for the post as Thomaskantor
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st Performance07 February 1723
This recordingCambridge, King’s College Chapel live recording, 05 March 2000
PerformersMonteverdi Choir, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 118, disk 1, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 23 Du wahrer Gott und Davids Sohn
OccasionQuinquagesima; along with BWV 22, this cantata is possibly Bach's second application piece for the post as Thomaskantor
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore
Instrumentscornetto, tromba I, tromba II, tromba III, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceKöthen 1723 or Leipzig 1724
This recordingCambridge, King’s College Chapel live recording, 05 March 2000
PerformersMonteverdi Choir, Ruth Holton, Claudia Schubert, James Oxley, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 118, disk 1, track(s) 6 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 24 Ein ungefärbt Gemüte
Occasion4th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsclarino, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 June 1723
This recordingTewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 25 Es ist nichts Gesundes an meinem Leibe
Occasion14th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscornetto, trombone I, trombone II, trombone III, flauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 29 August 1723
This recordingAmbronay, Abbaye d'Ambronay live recording, 24 September 2000
PerformersMonteverdi Choir, Malin Hartelius, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 26 Ach wie flüchtig, ach wie nichtig
Occasion24th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 19 November 1724
This recordingRomsey, Romsey Abbey live recording, 30 January 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 27 Wer weiß, wie nahe mir mein Ende
Occasion16th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 October 1726
This recordingSantiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 28 Gottlob! nun geht das Jahr zu Ende
Occasion1st Sunday after Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto, trombone I, trombone II, trombone III, oboe I, oboe II, taille, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 December 1725
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 137, disk [one disk only], track(s) 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 29 Wir danken dir, Gott, wir danken dir
Occasioncouncil election
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 August 1731
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 30 Freue dich, erlöste Schar
OccasionSt. John the Baptist
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, in or after 1738 (underlying secular cantata: 1737)
This recordingLondon, St. Giles Cripplegate live recording, 23 or 24 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 1, track(s) 13 14 15 16 17 18 19 20 21 22 23 24

ComposerJohann Sebastian Bach
TitleBWV 30a Angenehmes Wiederau, freue dich in deinen Auen!
OccasionHomage to Johann Christian von Hennickes, lord of the Wiederau manor
GenreDramma per musica, secular cantata
Choirfour-part
Solo voicesoprano (Zeit), alto (Glück), tenore (Elster), basso (Schicksal)
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceGut Wiederau manor near Leipzig, 28 September 1737
This recording-
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 31 Der Himmel lacht! die Erde jubilieret
Occasion1st Day of Easter
Genresacred cantata
Choirfive-part (divided soprano)
Solo voicesoprano, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe da caccia, violino I, violino II, viola I, viola II, violoncello I, violoncello II, basso continuo
1st PerformanceWeimar, 21 April 1715
This recordingEisenach, Georgenkirche live recording, 23 or 24 April 2000
PerformersMonteverdi Choir, Gillian Keith, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 1, track(s) 9 10 11 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 32 Liebster Jesu, mein Verlangen
Occasion1st Sunday after Epiphany
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, basso
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 13 January 1726
This recordingHamburg, St. Jacobi live recording, 9 January 2000
PerformersClaron McFadden, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 2, track(s) 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 33 Allein zu dir, Herr Jesu Christ
Occasion13th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 03 September 1724
This recordingFrankfurt, Dreikönigskirche live recording, 17 September 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 2, track(s) 13 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded in London in 1999)
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceof the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746
This recordingLondon, St. John's, April 1999
PerformersMonteverdi Choir, Bernarda Fink, Steve Davislim, Christopher Foster, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 34 et al., disk [one disk only], track(s) 20 21 22 23 24

ComposerJohann Sebastian Bach
TitleBWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded live in Long Melford in 2000)
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceof the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746
This recordingLong Melford, Holy Trinity live recording, 11 June 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 1, track(s) 21 22 23 24 25

ComposerJohann Sebastian Bach
TitleBWV 34a O ewiges Feuer, o Ursprung der Liebe (incomplete secular version)
Occasionwedding ceremony
Genresecular cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1726
This recording-
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 35 Geist und Seele wird verwirret
Occasion12th Sunday after Trinity
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsoboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 September 1726
This recordingKöthen, Jakobskirche live recording, 10 September 2000
PerformersRobin Tyson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 1, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 36 Schwingt freudig euch empor
OccasionFirst Sunday in Advent
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 December 1731 (final version)
This recordingLondon, Blackheath Concert Halls, January 1992
PerformersMonteverdi Choir, Nancy Argenta, Petra Lang, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 et al., disk [one disk only], track(s) 7 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 36 Schwingt freudig euch empor
OccasionFirst Sunday in Advent
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 December 1731 (final version)
This recordingCologne, St. Maria im Kapitol live recording, 03 December 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 1, track(s) 13 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 37 Wer da gläubet und getauft wird
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 18 May 1724
This recordingLondon, All Saints’ Church, October 1993
PerformersMonteverdi Choir, Nancy Argenta, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 128 et al., disk [one disk only], track(s) 17 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 37 Wer da gläubet und getauft wird
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 18 May 1724
This recordingLondon, St. Giles' Cripplegate, 10 May 2012
Performers
AlbumSDG 185, disk [one disk only], track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 38 Aus tiefer Not schrei ich zu dir
Occasion21st Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, trombone I, trombone II, trombone III, trombone IV, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 29 October 1724
This recordingGreenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 39 Brich dem Hungrigen dein Brot
Occasion1st Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentsflauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 23 June 1726
This recordingLondon, St. Giles Cripplegate live recording, 25 or 26 June 2000
PerformersMonteverdi Choir, Gillian Keith, Wilke te Brummelstroete, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 2, track(s) 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 40 Dazu ist erschienen der Sohn Gottes
Occasion2nd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno I, corno II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 December 1723
This recordingNew York, St. Bartholomew’s live recording, 25 December 2000
PerformersMonteverdi Choir, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 113, disk [one disk only], track(s) 13 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 41 Jesu, nun sei gepreiset
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, violino I, violino II, violoncello piccolo, viola, basso continuo
1st PerformanceLeipzig, 01 January 1725
This recordingBerlin, Gethsemanekirche, 1 January 2000
PerformersMonteverdi Choir, Ruth Holton, Charles Humphries, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 1, track(s) 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 42 Am Abend aber desselbigen Sabbats
OccasionQuasimodogeniti
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 08 April 1725
This recordingArnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000
PerformersMonteverdi Choir, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 1, track(s) 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 43 Gott fähret auf mit Jauchzen
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 May 1726
This recordingLondon, All Saints’ Church, October 1993
PerformersMonteverdi Choir, Nancy Argenta, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 128 et al., disk [one disk only], track(s) 1 2 3 4 5 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 43 Gott fähret auf mit Jauchzen
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 May 1726
This recordingLondon, St. Giles' Cripplegate, 10 May 2012
Performers
AlbumSDG 185, disk [one disk only], track(s) 1 2 3 4 5 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 44 Sie werden euch in den Bann tun I
OccasionExaudi
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo (+ fagotte)
1st PerformanceLeipzig, 21 May 1724
This recordingSherborne, Abbey Church of St Mary the Virgin live recording, 04 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, Paul Agnew, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 2, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 45 Es ist dir gesagt, Mensch, was gut ist
Occasion8th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 11 August 1726
This recordingRendsburg, Christkirche, 13 August 2000
PerformersMonteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 1, track(s) 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 46 Schauet doch und sehet, ob irgendein Schmerz sei
Occasion10th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsclarino? (some sources say tromba, other corno da tirarsi), flauto dolce I, flauto dolce II (some sources say flauto traverso instead), oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 01 August 1723
This recordingBraunschweig, Braunschweig Cathedral, 27 August 2000
PerformersMonteverdi Choir, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 47 Wer sich selbst erhöhet, der soll erniedriget werden  
Occasion17th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, basso
Instrumentsoboe I, oboe II, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 13 October 1726
This recordingLund, Allhelgonakyrkan live recording, 14 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Stephen Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 1, track(s) 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 48 Ich elender Mensch, wer wird mich erlösen
Occasion19th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentstromba, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 03 October 1723
This recordingPotsdam, Erlöserkirche live recording, 29 October 2000
PerformersMonteverdi Choir, William Towers, James Gilchrist, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 49 Ich geh und suche mit Verlangen
Occasion20th Sunday after Trinity
Genresacred cantata
Choirsolo only
Solo voicesoprano, basso
Instrumentsoboe d'amore, violoncello piccolo, violino I, violino II, viola, organo obligato, basso continuo
1st PerformanceLeipzig, 03 November 1726
This recordingGenoa, Cattedrale di San Lorenzo live recording, 4th November 2000
PerformersMonteverdi Choir, Magdalena Kožená, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 1, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 50 Nun ist das Heil und die Kraft
OccasionMichaelmas Day
Genresacred cantata, motet
Choireight-part
Solo voicenone (pure choral cantata)
Instrumentstromba I, tromba II, tromba III, timpanie, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1725-1744?
This recordingBremen, Unser Lieben Frauen live recording, 29 September 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 2, track(s) 1

ComposerJohann Sebastian Bach
TitleBWV 51 Jauchzet Gott in allen Landen
Occasion15th Sunday after Trinity et per ogni tempo
Genresacred cantata, solo motet, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentstromba (C), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 17 September 1730
This recordingBremen, Unser Lieben Frauen live recording, 28 September 2000
PerformersMalin Hartelius, Niklas Eklund, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 1, track(s) 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 51 Jauchzet Gott in allen Landen
Occasion15th Sunday after Trinity et per ogni tempo
Genresacred cantata, solo motet, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentstromba (C), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 17 September 1730
This recordingLondon, November 1983
PerformersEmma Kirkby, Crispian Steele-Perkins, English Baroque Soloists, Sir John Eliot Gardiner
AlbumPHILIPS BWV 51 et al., disk [one disk only], track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 52 Falsche Welt, dir trau ich nicht!
Occasion23d Sunday after Trinity
Genresacred cantata (the opening sinfonia is based on the first movement of the BWV 1046 Brandenburg Concerto No. 1
Choirfour-part (final chorale only)
Solo voicesoprano
Instrumentscorno I, corno II, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 24 November 1726
This recordingWinchester, Winchester Cathedral live recording, 26 November 2000
PerformersGillian Keith, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 2, track(s) 13 14 15 16 17 18

ComposerGeorg Melchior Hoffmann
TitleBWV 53 Schlage doch gewünschte Stunde
Occasionfuneral service
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsviolino I, violino II, viola, basso continuo, bells
1st Performance1730?
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 54 Widerstehe doch der Sünde
OccasionOculi
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsviolino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 1714
This recordingWalpole St Peter's Church (Norfolk) live recording, 26 March 2000
PerformersNathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 118, disk 2, track(s) 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 54 Widerstehe doch der Sünde (No. 1 only)
OccasionOculi
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsviolino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 1714
This recordingWalpole St Peter's Church (Norfolk) live recording, 23 March 2000
PerformersNathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 4

ComposerJohann Sebastian Bach
TitleBWV 55 Ich armer Mensch, ich Sündenknecht
Occasion22d Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicetenore
Instrumentsflauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 17 November 1726
This recordingLondon, Tooting, All Saints live recording, 17 November 2000
PerformersJames Gilchrist, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 1, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 56 Ich will den Kreuzstab gerne tragen
Occasion19th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicebasso
Instrumentsoboe I, oboe II, oboe da caccia (taille), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 October 1726
This recordingPotsdam, Erlöserkirche live recording, 29 October 2000
PerformersPeter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 1, track(s) 20 21 22 23 24

ComposerJohann Sebastian Bach
TitleBWV 57 Selig ist der Mann
OccasionSt. Stephen's Day (26 December)
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, basso
Instrumentsoboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 December 1725
This recordingNew York, St. Bartholomew’s live recording, 27 December 2000
PerformersMonteverdi Choir, Joanne Lunn, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 127, disk [one disk only], track(s) 14 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 58 Ach Gott, wie manches Herzeleid II
OccasionSunday after New Year's Day
Genresacred cantata
Choirsolo only
Solo voicesoprano, basso
Instrumentsoboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 05 January 1727
This recordingBerlin, Gethsemanekirche, 2 January 2000
PerformersRuth Holton, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 2, track(s) 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 59 Wer mich liebet, der wird mein Wort halten I
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part (limited to chorale No. 3 / No. 5)
Solo voicesoprano basso
Instrumentstromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 28 May 1724
This recordingLondon, St. John's, April 1999
PerformersMonteverdi Choir, Magdalena Kožena, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 34 et al., disk [one disk only], track(s) 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 59 Wer mich liebet, der wird mein Wort halten I
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part (limited to chorale No. 3 / No. 5)
Solo voicesoprano basso
Instrumentstromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 28 May 1724
This recordingLong Melford, Holy Trinity live recording, 11 June 2000
PerformersMonteverdi Choir, Lisa Larsson, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 1, track(s) 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 60 O Ewigkeit, du Donnerwort II
Occasion24th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentscorno, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st Performanceprobably Leipzig, 07 November 1723
This recordingLondon, Tooting, All Saints live recording, 17 November 2000
PerformersRobin Tyson, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 1, track(s) 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 61 Nun komm, der Heiden Heiland I
OccasionFirst Sunday in Advent
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsviolino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 02 December 1714
This recordingLondon, Blackheath Concert Halls, January 1992
PerformersMonteverdi Choir, Nancy Argenta, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 et al., disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 61 Nun komm, der Heiden Heiland I
OccasionFirst Sunday in Advent
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsviolino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 02 December 1714
This recordingCologne, St. Maria im Kapitol live recording, 03 December 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 62 Nun komm, der Heiden Heiland II
OccasionFirst Sunday in Advent
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 03 December 1724
This recordingLondon, Blackheath Concert Halls, January 1992
PerformersMonteverdi Choir, Nancy Argenta, Petra Lang, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 et al., disk [one disk only], track(s) 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 62 Nun komm, der Heiden Heiland II
OccasionFirst Sunday in Advent
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 03 December 1724
This recordingCologne, St. Maria im Kapitol live recording, 03 December 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 1, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 63 Christen, ätzet diesen Tag
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), tromba IV (C), timpani, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, before 1716
This recordingLondon, Abbey Road Studios, December 1998
PerformersMonteverdi Choir, Ann Monoyios, Sara Mingardo, Rufus Müller, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 + BWV 61 + BWV 62, disk [one disk only], track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 63 Christen, ätzet diesen Tag
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), tromba IV (C), timpani, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, before 1716
This recordingWeimar, Herderkirche live recording, 25 December 1999
PerformersClaron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 63 Rehearsal of the cantata Christen, ätzet diesen Tag
Occasion-
Genre-
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), tromba IV (C), timpani, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, before 1716
This recordingLondon, Abbey Road Studios, December 1998
PerformersMonteverdi Choir, Ann Monoyios, Sara Mingardo, Rufus Müller, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumArthaus Musik, disk [one disk only], track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 64 Sehet, welch eine Liebe hat uns der Vater erzeiget
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentscornetto, trombone I, trombone II, trombone III, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1723
This recordingLondon, Abbey Road Studios, December 1998
PerformersMonteverdi Choir, Ann Monoyios, Sara Mingardo, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 + BWV 61 + BWV 62, disk [one disk only], track(s) 8 9 10 11 12 13 14 15

ComposerJohann Sebastian Bach
TitleBWV 64 Sehet, welch eine Liebe hat uns der Vater erzeiget
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentscornetto, trombone I, trombone II, trombone III, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1723
This recordingNew York, St. Bartholomew’s live recording, 27 December 2000
PerformersMonteverdi Choir, Gillian Keith, Robin Tyson, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 127, disk [one disk only], track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 65 Sie werden aus Saba alle kommen
OccasionFeast of Epiphany
Genresacred cantata
Choirfour-part
Solo voicetenore, basso
Instrumentscorno I, corno II, flauto traverso I, traverso II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 January 1724
This recordingLeipzig, Nikolaikirche live recording, 6 January 2000
PerformersJames Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 1, track(s) 11 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 66 Erfreut euch, ihr Herzen
Occasion2nd Day of Easter
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba (D), oboe I, oboe II, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 26 March 1731; underlying secular cantata: Köthen, 1718
This recordingLondon, St. John's, 05 and 06 April 1999
PerformersMonteverdi Choir, Michael Chance, Mark Padmore, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 66 et al., disk [one disk only], track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 66 Erfreut euch, ihr Herzen
Occasion2nd Day of Easter
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba (D), oboe I, oboe II, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 26 March 1731; underlying secular cantata: Köthen, 1718
This recordingEisenach, Georgenkirche live recording, 23 or 24 April 2000
PerformersMonteverdi Choir, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 1, track(s) 18 19 20 21 22 23

ComposerJohann Sebastian Bach
TitleBWV 67 Halt im Gedächtnis Jesum Christ
OccasionQuasimodogeniti
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno da tirarsi, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 16 April 1724
This recordingArnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000
PerformersMonteverdi Choir, Daniel Taylor, Charles Daniels, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 1, track(s) 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 68 Also hat Gott die Welt geliebt
Occasion2nd Day of Whitsun
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, basso
Instrumentscorno, cornetto, trombone I, trombone II, trombone III, oboe I, oboe II, taille, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 21 May 1725
This recordingLong Melford, Holy Trinity live recording, 12 June 2000
PerformersMonteverdi Choir, Lisa Larsson, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 2, track(s) 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 69a Lobe den Herrn, meine Seele I
Occasion12th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore, fagotto obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1723
This recordingKöthen, Jakobskirche live recording, 10 September 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 69 Lobe den Herrn, meine Seele
Occasioncouncil election
Genresecular cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore, violino I, violino II, viola, basso continuo
1st Performanceoriginal version BWV 69a: Leipzig, 1723; final version: Leipzig, late years
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 70 Wachet! betet! betet! wachet!
Occasion26th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba (clarino?), oboe, fagotto (obligato?), violoncello (obligato?), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 21 November 1723 (final version); original version: Weimar, 1716
This recordingLüneburg, Michaeliskirche live recording, 10 December 2000
PerformersMonteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 71 Gott ist mein König
Occasioninauguration of the Mühlhausen town council
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsfour sections: tromba I, tromba II, tromba III, timpani - flauto dolce I, flauto dolce II, violoncello obligato - oboe I, oboe II, fagotto - violino I, violino II, viola, organo obligato, basso continuo
1st PerformanceMühlhausen, 04 February 1708
This recordingMühlhausen, Blasiuskirche live recording, 23 July 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 1, track(s) 18 19 20 21 22 23 24

ComposerJohann Sebastian Bach
TitleBWV 71 Gott ist mein König (No. 6 only)
Occasioncouncil election
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsfour sections: tromba I, tromba II, tromba III, timpani - flauto dolce I, flauto dolce II, violoncello obligato - oboe I, oboe II, fagotto - violino I, violino II, viola, organo obligato, basso continuo
1st PerformanceMühlhausen, 04 February 1708
This recordingMühlhausen, Blasiuskirche live recording, 23 July 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 5

ComposerJohann Sebastian Bach
TitleBWV 72 Alles nur nach Gottes Willen
Occasion3d Sunday after Epiphany
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 January 1726
This recordingMilan, Chiesa di San Marco, between 22 and 24 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Sara Mingardo, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 111 et al., disk [one disk only], track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 73 Herr, wie du willt, so schick's mit mir
Occasion3d Sunday after Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno ossia, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 23 January 1724
This recordingMilan, Chiesa di San Marco, between 22 and 24 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 111 et al., disk [one disk only], track(s) 6 7 8 9 10

ComposerJohann Sebastian Bach
TitleBWV 74 Wer mich liebet, der wird mein Wort halten II
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 May 1725
This recordingLondon, St. John's, April 1999
PerformersMonteverdi Choir, Magdalena Kožena, Robin Blaze, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 34 et al., disk [one disk only], track(s) 12 13 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 74 Wer mich liebet, der wird mein Wort halten II
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 May 1725
This recordingLong Melford, Holy Trinity live recording, 11 June 2000
PerformersMonteverdi Choir, Lisa Larsson, Derek Lee Ragin, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 1, track(s) 13 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 75 Die Elenden sollen essen
Occasion1st Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba (C and G), oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 May 1723
This recordingLondon, St. Giles Cripplegate live recording, 25 or 26 June 2000
PerformersMonteverdi Choir, Gillian Keith, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 76 Die Himmel erzählen die Ehre Gottes
Occasion2nd Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba, oboe I, oboe II, oboe d'amore, viola da gamba, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 June 1723
This recordingParis, Basilique Saint-Denis live recording, 2nd or 3d July 2000
PerformersMonteverdi Choir, Lisa Larsson, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2 (SDG 165), track(s) 15 16 17 18 19 20 21 22 23 24 25 26 27 28

ComposerJohann Sebastian Bach
TitleBWV 77 Du sollt Gott, deinen Herren, lieben
Occasion13th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba da tirarsi, no details on instrumentation (Werner Neumann: oboe I, oboe II, violino I, violino II, viola, basso continuo)
1st PerformanceLeipzig, 22 August 1723
This recordingFrankfurt, Dreikönigskirche live recording, 17 September 2000
PerformersMonteverdi Choir, Gillian Keith, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 78 Jesu, der du meine Seele
Occasion14th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 September 1724
This recordingAmbronay, Abbaye d'Ambronay live recording, 24 September 2000
PerformersMonteverdi Choir, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 1, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 78 Jesu, der du meine Seele (No. 2 only)
Occasion14th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 September 1724
This recordingAmbronay, Abbaye d'Ambronay live recording, 24 September 2000
PerformersMalin Hartelius, Robin Tyson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 7

ComposerJohann Sebastian Bach
TitleBWV 79 Gott der Herr ist Sonn und Schild
OccasionFeast of Reformation
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentscorno I, corno II, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceprobably Leipzig, 31 October 1725
This recordingWittenberg, Schlosskirche live recording, 31 October 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 80 Ein feste Burg ist unser Gott
OccasionFeast of Reformation (Weimar original version BWV 80a "Alles, was von Gott geboren": Oculi)
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe d'amore, oboe da caccia, violino I, violino II, viola, violoncello e cembalo, violone et organo
1st Performanceoriginal version: Weimar, 1715; last version probably Leipzig, after 1739
This recordingWittenberg, Schlosskirche live recording, 31 October 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 2, track(s) 10 11 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 81 Jesus schläft, was soll ich hoffen?
Occasion4th Sunday after Epiphany
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 January 1724
This recordingRomsey, Romsey Abbey live recording,30 January 2000
PerformersMonteverdi Choir, William Towers, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 2, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 82 Ich habe genug
OccasionPurification of Mary
Genresacred cantata, solo cantata
Choirsolo only
Solo voicebasso
Instrumentsviolino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 February 1727
This recordingChristchurch, Priory Church, February 2000
PerformersPeter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 82 et al., disk [one disk only], track(s) 6 7 8 9 10

ComposerJohann Sebastian Bach
TitleBWV 83 Erfreute Zeit im neuen Bunde
OccasionPurification of Mary
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentscorno I, corno II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 February 1724
This recordingChristchurch, Priory Church, February 2000
PerformersMonteverdi Choir, Robin Tyson Paul Agnew Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 82 et al., disk [one disk only], track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 84 Ich bin vergnügt mit meinem Glücke
OccasionSeptuagesimae
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 09 February 1727
This recordingNaarden, Grote Kerk, live recording, 20 February 2000
PerformersMonteverdi Choir, Miah Persson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 1, track(s) 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 85 Ich bin ein guter Hirt
OccasionMisericordias Domini
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 15 April 1725
This recordingEchternach, St. Willibrord live recording, 29 or 07 May 2000
PerformersMonteverdi Choir, Katharine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 86 Wahrlich, wahrlich, ich sage euch
OccasionRogate
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 14 May 1724
This recordingDresden, Annenkirche live recording, 27 or 28 May 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Steve Davislim, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 87 Bisher habt ihr nichts gebeten in meinem Namen
OccasionRogate
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 May 1725
This recordingDresden, Annenkirche live recording, 27 or 28 May 2000
PerformersMonteverdi Choir, Robin Tyson, Steve Davislim, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 1, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 88 Siehe, ich will viel Fischer aussenden
Occasion5th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentscorno I, corno II, oboe d'amore I, oboe d'amore I, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 21 July 1726
This recordingMühlhausen, Blasiuskirche live recording, 23 July 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 2, track(s) 13 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 89 Was soll ich aus dir machen, Ephraim
Occasion22d Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, basso
Instrumentscorne du chasse, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 24 October 1723
This recordingLondon, Tooting, All Saints live recording, 17 November 2000
PerformersJoanne Lunn, Robin Tyson, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 1, track(s) 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 90 Es reißet euch ein schrecklich Ende
Occasion25th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentstromba (clarino?), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 14 November 1723
This recordingPotsdam, Erlöserkirche live recording, 29 October 2000
PerformersMonteverdi Choir, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 1, track(s) 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 91 Gelobet seist du, Jesu Christ
Occasion1st Day of Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno I, corno II, timpani, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 December 1724 (original version; revised around 1732/35 and 1735/50)
This recordingNew York, St. Bartholomew’s live recording, 25 December 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 113, disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 92 Ich hab in Gottes Herz und Sinn
OccasionSeptuagesimae
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 28 January 1725
This recordingNaarden, Grote Kerk, live recording, 20 February 2000
PerformersMonteverdi Choir, Miah Persson, Wilke te Brummelstroete, James Oxley, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 1, track(s) 12 13 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 93 Wer nur den lieben Gott läßt walten
Occasion5th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 09 July 1724
This recordingMühlhausen, Blasiuskirche live recording, 23 July 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 2, track(s) 6 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 94 Was frag ich nach der Welt
Occasion9th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 August 1724
This recordingMerano, Il duomo di S. Nicolò live recording, August 2000
PerformersMonteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 168 et al., disk [one disk only], track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 95 Christus, der ist mein Leben
Occasion16th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno / cornetto (literally 'cornio'), oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 12 September 1723
This recordingSantiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 2, track(s) 19 20 21 22 23 24 25

ComposerJohann Sebastian Bach
TitleBWV 96 Herr Christ, der einge Gottessohn
Occasion18th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, trombone, flauto traverso, flauto dolce piccolo, oboe I, oboe II, "Terzgeige", violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 October 1724
This recordingLeipzig, Thomaskirche live recording, 22 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Nathalie Stutzmann, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 97 In allem meinen Taten
Occasionunknown
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo (+ fagotte)
1st PerformanceLeipzig, 1734 (year stated in the autograph)
This recordingDresden, Annenkirche live recording, 27 or 28 May 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Steve Davislim, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 1, track(s) 14 15 16 17 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 98 Was Gott tut, das ist wohlgetan I
Occasion21st Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, taille / oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 November 1726
This recordingLondon, St. Giles Cripplegate, December 1998
PerformersMonteverdi Choir, Katharine Fuge, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 98 et al., disk [one disk only], track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 98 Was Gott tut, das ist wohlgetan I
Occasion21st Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, taille / oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 November 1726
This recordingGreenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 2, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 99 Was Gott tut, das ist wohlgetan II
Occasion15th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 17 September 1724
This recordingBremen, Unser Lieben Frauen live recording, 28 September 2000
PerformersMonteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 1, track(s) 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 100 Was Gott tut, das ist wohlgetan III
Occasion15th Sunday after Trinity, 21st Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno 1, corno II (G), timpani, flauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1734 (third version)
This recordingBremen, Unser Lieben Frauen live recording, 28 September 2000
PerformersMonteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 1, track(s) 19 20 21 22 23 24

ComposerJohann Sebastian Bach
TitleBWV 101 Nimm von uns Herr, du treuer Gott  
Occasion10th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto (some sources say corno), trombone I, trombone II, trombone III, flauto traverso (divided?), (?oboe I, oboe II?), oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 13 August 1724
This recordingBraunschweig, Braunschweig Cathedral, 27 August 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 2, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 102 Herr, deine Augen sehen nach dem Glauben
Occasion10th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto traverso (alternatively: "Terzgeige"), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 August 1726
This recordingBraunschweig, Braunschweig Cathedral, 27 August 2000
PerformersMonteverdi Choir, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 2, track(s) 14 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 103 Ihr werdet weinen und heulen
OccasionJubilate
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentstromba, flauto traverso, flauto dolce (piccolo), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 22 April 1725
This recordingAltenburg, Schlosskirche live recording,14 May 2000
PerformersMonteverdi Choir, William Towers, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 1, track(s) 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 104 Du Hirte Israel, höre
OccasionMisericordias Domini
Genresacred cantata
Choirfour-part
Solo voicetenore, basso
Instrumentsoboe I, oboe II, taille (oboe da caccia), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 23 April 1724
This recordingEchternach, St. Willibrord live recording, 29 or 07 May 2000
PerformersMonteverdi Choir, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 105 Herr, gehe nicht ins Gericht mit deinem Knecht
Occasion9th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno (C), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 July 1723
This recordingMerano, Il duomo di S. Nicolò live recording, August 2000
PerformersMonteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 168 et al., disk [one disk only], track(s) 15 16 17 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 106 Gottes Zeit ist die allerbeste Zeit
Occasionfuneral service
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto dolce I, flauto dolce II, viola da gamba I, viola da gamba II, basso continuo
1st PerformanceMühlhausen, 1707 or 1708
This recordingLondon, St. John's, September 1989
PerformersMonteverdi Choir, Nancy Argenta, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 106 et al., disk [one disk only], track(s) 1 2 3 4

ComposerJohann Sebastian Bach
TitleBWV 107 Was willst du dich betrüben
Occasion7th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno, flauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 23 July 1724
This recordingHaddington, St Mary’s live recording, 5 or 6 August 2000
PerformersMonteverdi Choir, Katharine Fuge, Kobie van Rensburg, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 2, track(s) 12 13 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 108 Es ist euch gut, dass ich hingehe
OccasionCantate
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 29 April 1725
This recordingWarwick, St. Mary’s live recording, 21 May 2000
PerformersMonteverdi Choir, Robin Tyson, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben!
Occasion21st Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentscorno da caccia, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 17 October 1723
This recordingGreenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000
PerformersMonteverdi Choir, William Towers, Paul Agnew, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 110 Unser Mund sei voll Lachens
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe III, oboe d'amore, oboe da caccia, fagotto (obligato?), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 December 1725
This recordingNew York, St. Bartholomew’s live recording, 25 December 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 113, disk [one disk only], track(s) 21 22 23 24 25 26 27

ComposerJohann Sebastian Bach
TitleBWV 111 Was mein Gott will, das g'scheh allzeit
Occasion3d Sunday after Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 21 January 1725
This recordingMilan, Chiesa di San Marco, between 22 and 24 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Sara Mingardo, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 111 et al., disk [one disk only], track(s) 11 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 112 Der Herr ist mein getreuer Hirt
OccasionMisericordias Domini
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno I, corno II (obligato), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 April 1731
This recordingEchternach, St. Willibrord live recording, 29 or 07 May 2000
PerformersMonteverdi Choir, Katharine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 2, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 113 Herr Jesu Christ, du höchstes Gut (Audio)
Occasion11th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 August 1724
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMonteverdi Choir, Magdalena Kožena, William Towers, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 113 et al., disk [one disk only], track(s) 15 16 17 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 113 Herr Jesu Christ, du höchstes Gut (Video)
Occasion11th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 August 1724
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMonteverdi Choir, Magdalena Kožena, William Towers, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumOpusArte, disk [one disk only], track(s) 15 16 17 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 114 Ach, lieben Christen, seid getrost
Occasion17th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 01 October 1724
This recordingLund, Allhelgonakyrkan live recording, 14 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Charles Humphries, Mark Padmore, Stephen Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 1, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 115 Mache dich, mein Geist, bereit
Occasion22d Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, flauto traverso, oboe d'amore, violoncello piccolo, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 05 November 1724
This recordingLondon, Tooting, All Saints live recording, 17 November 2000
PerformersJoanne Lunn, Robin Tyson, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 1, track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 116 Du Friedefürst, Herr Jesu Christ
Occasion25th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 November 1724
This recordingLeipzig, Thomaskirche live recording, 22 October 2000
PerformersMonteverdi Choir, Katharine Fuge, Nathalie Stutzmann, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 2, track(s) 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 117 Sei Lob und Ehr dem höchsten Gut
Occasionunspecified
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, between 1728 and 1731
This recordingWarwick, St. Mary’s live recording, 21 May 2000
PerformersMonteverdi Choir, Robin Tyson, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 2, track(s) 13 14 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 118b O Jesu Christ, mein's Lebens Licht
Occasionfuneral service
Genrechorale arrangement, motet
Choirfour-part
Solo voiceбез (чисто хоровая кантата)
Instrumentsoboe I, oboe II, oboe III, fagotto, trombo I, trombo II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1736-7
This recordingLondon, St. John's, September 1989
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 106 et al., disk [one disk only], track(s) 5

ComposerJohann Sebastian Bach
TitleBWV 118 O Jesu Christ, mein's Lebens Licht
Occasionfuneral service
Genrechorale arrangement, motet
Choirfour-part
Solo voicenone (pure choral cantata)
Instrumentsoboe I, oboe II, oboe III, fagotto, trombo I, trombo II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1736-7
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 119 Preise, Jerusalem, den Herrn
Occasioncouncil election
Genresecular cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, tromba IV, timpani, flauto I, flauto II, oboe I, oboe II, oboe III, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 August 1723
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 120a Herr Gott, Beherrscher aller Dinge (incomplete)
Occasionwedding ceremony
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe d'amore I, oboe d'amore II, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, between 1728 and 1736; borrowing from BWV 120
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 120 Gott, man lobet dich in der Stille
Occasioncouncil election
Genresecular cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1728 or 1729 (some parts go back to the Köthen period)
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 121 Christum wir sollen loben schon
Occasion2nd Day of Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto, trombone I, trombone II, trombone III, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 December 1724
This recordingLondon, Abbey Road Studios, December 1998
PerformersMonteverdi Choir, Ann Monoyios, Sara Mingardo, Rufus Müller, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 + BWV 61 + BWV 62, disk [one disk only], track(s) 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 121 Christum wir sollen loben schon
Occasion2nd Day of Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto, trombone I, trombone II, trombone III, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 December 1724
This recordingNew York, St. Bartholomew’s live recording, 25 December 2000
PerformersMonteverdi Choir, Katharine Fuge, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 113, disk [one disk only], track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 122 Das neugeborne Kindelein
Occasion1st Sunday after Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, taille (oboe III), violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 31 December 1724
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersMonteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 137, disk [one disk only], track(s) 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 123 Liebster Immanuel, Herzog der Frommen
OccasionFeast of Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 January 1725
This recordingLeipzig, Nikolaikirche live recording, 6 January 2000
PerformersSally Bruce-Payne, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 1, track(s) 18 19 20 21 22 23

ComposerJohann Sebastian Bach
TitleBWV 124 Meinen Jesum laß ich nicht
Occasion1st Sunday after Epiphany
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 07 January 1725
This recordingHamburg, St. Jacobi live recording, 9 January 2000
PerformersClaron McFadden, Michael Chance, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 2, track(s) 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 125 Mit Fried und Freud ich fahr dahin
OccasionPurification of Mary
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno, flauto traverso, oboe, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 February 1725
This recordingChristchurch, Priory Church, February 2000
PerformersMonteverdi Choir, Robin Tyson, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 82 et al., disk [one disk only], track(s) 11 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 126 Erhalt uns, Herr, bei deinem Wort
OccasionSexagesimae
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba (D), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 04 February 1725
This recordingSouthwell (Nottinghamshire), Southwell Minster, live recording, 27 February 2000
PerformersMonteverdi Choir, Robin Tyson, James Gilchrist, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 2, track(s) 11 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 127 Herr Jesu Christ, wahr' Mensch und Gott
OccasionQuinquagesima
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentstromba, flauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 11 February 1725
This recordingCambridge, King’s College Chapel live recording, 05 March 2000
PerformersMonteverdi Choir, Ruth Holton, James Oxley, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 118, disk 1, track(s) 10 11 12 13 14 20

ComposerJohann Sebastian Bach
TitleBWV 128 Auf Christi Himmelfahrt allein
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba (D), corno I (G), corno II (G), oboe I, oboe II OR oboe d'amore I, oboe d'amore II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 May 1725
This recordingLondon, St. John's, April 1999
PerformersMonteverdi Choir, Robin Blaze, Christoph Genz, Reinhard Hagen, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 128 et al., disk [one disk only], track(s) 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 128 Auf Christi Himmelfahrt allein
OccasionAscension Day
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba (D), corno I (G), corno II (G), oboe I, oboe II OR oboe d'amore I, oboe d'amore II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 10 May 1725
This recordingLondon, St. Giles' Cripplegate, 10 May 2012
PerformersMonteverdi Choir, Meg Bragle, Andrew Tortise, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 185, disk [one disk only], track(s) 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 129 Gelobet sei der Herr, mein Gott
OccasionTrinity Sunday
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 16 June 1726 or 08 June 1727 (several re-performances)
This recordingKirkwall, St. Magnus Cathedral live recording, 18 Juny 2000
PerformersMonteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 2, track(s) 19 20 21 22 23

ComposerJohann Sebastian Bach
TitleBWV 130 Herr Gott, dich loben alle wir
OccasionMichaelmas Day
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 29 September 1724
This recordingBremen, Unser Lieben Frauen live recording, 29 September 2000
PerformersMonteverdi Choir, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 2, track(s) 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 131 Aus der Tiefen rufe ich, Herr, zu dir
Occasionpossibly for service in memory of the town fire in 177
Genresacred cantata
Choirfour-part
Solo voicetenore, basso
Instrumentsoboe, violino, viola I, viola II, fagotto, basso continuo
1st PerformanceMühlhausen, possibly 05 or 12 June 1707
This recordingLondon, Аll Saints’ Church, November 1980
PerformersMonteverdi Choir, William Kendall, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumErato, disk [one disk only], track(s) 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 131 Aus der Tiefen rufe ich, Herr, zu dir
Occasionpossibly for service in memory of the town fire in 177
Genresacred cantata
Choirfour-part
Solo voicetenore, basso
Instrumentsoboe, violino, viola I, viola II, fagotto, basso continuo
1st PerformanceMühlhausen, possibly 05 or 12 June 1707
This recordingMühlhausen, Blasiuskirche live recording, 23 July 2000
PerformersMonteverdi Choir, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 2, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 132 Bereitet die Wege, bereitet die Bahn!
Occasion4th Sunday in Advent
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe, fagotto, violoncello, violino I, violino II, viola, basso continuo
1st PerformanceWeimar, 1715
This recordingLüneburg, Michaeliskirche live recording, 10 December 2000
PerformersMonteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 2, track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 133 Ich freue mich in dir
Occasion3rd Day of Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1724
This recordingLondon, St. Giles Cripplegate live recording, December 1998
PerformersMonteverdi Choir, Katharine Fuge, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 36 + BWV 61 + BWV 62, disk [one disk only], track(s) 22 23 24 25 26 27

ComposerJohann Sebastian Bach
TitleBWV 133 Ich freue mich in dir
Occasion3rd Day of Christmas
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscornetto, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1724
This recordingNew York, St. Bartholomew’s live recording, 27 December 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 127, disk [one disk only], track(s) 22 23 24 25 26 27

ComposerJohann Sebastian Bach
TitleBWV 134 Ein Herz, das seinen Jesum lebend weiß
Occasion3d Day of Easter
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceof the secular 134a: Köthen, 01 January 1719; of 1st sacred version (borrowing): Leipzig, 11 April 1724; 2d version: Leipzig, 27 March 1731; 3d version: probably Leipzig, after 1731
This recordingEisenach, Georgenkirche live recording, 24 or 25 April 2000
PerformersMonteverdi Choir, Daniel Taylor, James Gilchrist, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 135 Ach Herr, mich armen Sünder
Occasion3rd Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscornetto, trombone, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 25 June 1724
This recordingZürich, Fraumünster live recording, 8th or 9th July 2000
PerformersMonteverdi Choir, Robin Tyson, Vernon Kirk, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2 (SDG 165), track(s) 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 136 Erforsche mich, Gott, und erfahre mein Herz
Occasion8th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno, oboe, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 18 July 1723
This recordingRendsburg, Christkirche, 13 August 2000
PerformersMonteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 1, track(s) 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 137 Lobe den Herren, den mächtigen König der Ehren
Occasion12th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceprobably Leipzig, 19 August 1725, re-performed in Leipzig, between 1744 and 49
This recordingKöthen, Jakobskirche live recording, 10 September 2000
PerformersMonteverdi Choir, Katharine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 1, track(s) 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 138 Warum betrübst du dich, mein Herz?
Occasion15th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 05 September 1723
This recordingBremen, Unser Lieben Frauen live recording, 28 September 2000
PerformersMonteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 139 Wohl dem, der sich auf seinen Gott
Occasion23d Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 12 November 1724
This recordingLondon, St. Giles Cripplegate, December 1998
PerformersMonteverdi Choir, Katharine Fuge, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 98 et al., disk [one disk only], track(s) 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 139 Wohl dem, der sich auf seinen Gott
Occasion23d Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 12 November 1724
This recordingWinchester, Winchester Cathedral live recording, 26 November 2000
PerformersGillian Keith, Hilary Summers, William Kendall, Peter HarveyMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 140 Wachet auf, ruft uns die Stimme
Occasion27th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno, oboe I, oboe II, oboe da caccia / taille, violino piccolo / Terzgeige, violino I, violino II, viola, basso continuo (+ organo, fagotto)
1st PerformanceLeipzig, 25 November 1731
This recordingFontmell Magna, St. Andrew’s Church, March 1990
PerformersMonteverdi Choir, Ruth Holton, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 140 + BWV 147, disk [one disk only], track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 140 Wachet auf, ruft uns die Stimme
Occasion27th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno, oboe I, oboe II, oboe da caccia / taille, violino piccolo / Terzgeige, violino I, violino II, viola, basso continuo (+ organo, fagotto)
1st Performance25 November 1731
This recordingWinchester, Winchester Cathedral live recording, 26 November 2000
PerformersSusan Hamilton, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 2, track(s) 19 20 21 22 23 24 25

ComposerGeorg Philipp Telemann
TitleBWV 141 Das ist je gewisslich wahr
OccasionThird Sunday in Advent
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performance1721 or 1722
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Kuhnau
TitleBWV 142 Uns ist ein Kind geboren
OccasionChristmas
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performance1712-1713?
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 143 Lobe den Herrn, meine Seele II (Bach is not confirmed to be the composer)
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentscorno da caccia I, corno da caccia II, corno da caccia III, timpani, fagotto, violino I, violino II, viola, basso continuo
1st Performanceprobably Weimar between 1708 and 1714
This recordingBerlin, Gethsemanekirche, 1 January 2000
PerformersMonteverdi Choir, Ruth Holton, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 144 Nimm, was dein ist, und gehe hin
OccasionSeptuagesimae
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore
Instrumentsoboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 07 February 1724
This recordingNaarden, Grote Kerk, live recording, 20 February 2000
PerformersMonteverdi Choir, Miah Persson, Wilke te Brummelstroete, James Oxley, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 1, track(s) 1 2 3 4 5 6

ComposerGeorg Philipp Telemann
TitleBWV 145 So du mit deinem Munde bekennest Jesum
Occasion
GenreRefer to Ich lebe, mein Herze, zu deinem Ergötzen
ChoirRemark: This cantata was extended by a new opening movement twice and therefore is known under three different incipits: (i) Auf, mein Herz, des Herren Tag, (ii) So du mit deinem Munde bekennest Jesum, (iii) Ich lebe, mein Herze, zu deinem Ergötzen (the latter being the first movement of the initial version).
Solo voiceThe chorus So du mit deinem Munde bekennest Jesum was written by Georg Philipp Telemann, and (possibly posthumously) inserted as the new opening chorus of this cantata at a later point in time. It is not included in this performance.
Instruments
1st Performance
This recordingEisenach, Georgenkirche live recording, 24 or 25 April 2000
PerformersMonteverdi Choir, Angharad Gruffydd Jones, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 2, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 145 Ich lebe, mein Herze, zu deinem Ergötzen
Occasion3d Day of Easter
Genresacred cantata
Choirfour-part (in this version final chorale only)
Solo voicesoprano, tenore, basso
Instrumentstromba, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 19 April 1729
This recordingEisenach, Georgenkirche live recording, 24 or 25 April 2000
PerformersMonteverdi Choir, Angharad Gruffydd Jones, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 2, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 145 Auf, mein Herz, des Herren Tag
Occasion
GenreRefer to Ich lebe, mein Herze, zu deinem Ergötzen
ChoirRemark: This cantata was extended by a new opening movement twice and therefore is known under three different incipits: (i) Auf, mein Herz, des Herren Tag, (ii) So du mit deinem Munde bekennest Jesum, (iii) Ich lebe, mein Herze, zu deinem Ergötzen (the latter being the first movement of the initial version).
Solo voiceThe chorale Auf, mein Herz, des Herren Tag was (possibly posthumously) inserted as the new opening movement of this cantata at a later point in time. It is not included in this performance.
Instruments
1st Performance
This recordingEisenach, Georgenkirche live recording, 24 or 25 April 2000
PerformersMonteverdi Choir, Angharad Gruffydd Jones, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 128, disk 2, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 146 Wir müssen durch viel Trübsal in das Reich Gottes eingehen
OccasionJubilate
Genresacred cantata; the first two movements are based on the lost D minor violin concerto BWV 1052 dating back to the Weimar period
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe I, oboe II, oboe da caccia, oboe d'amore I, oboe d'amore II, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1726 or 1728
This recordingAltenburg, Schlosskirche live recording,14 May 2000
PerformersMonteverdi Choir, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 1, track(s) 14 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 147 Herz und Mund und Tat und Leben
OccasionVisitation of the Blessed Virgin Mary
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba (C), oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 July 1723 (of the lost original version 147a: Weimar, 1716)
This recordingFontmell Magna, St. Andrew’s Church, March 1990
PerformersMonteverdi Choir, Ruth Holton, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 140 + BWV 147, disk [one disk only], track(s) 8 9 10 11 12 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 147 Herz und Mund und Tat und Leben
OccasionVisitation of the Blessed Virgin Mary
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba (C), oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 02 July 1723 (of the lost original version 147a: Weimar, 1716)
This recordingLüneburg, Michaeliskirche live recording, 10 December 2000
PerformersMonteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 162, disk 2, track(s) 18 19 20 21 22 23 24 25 26 27

ComposerJohann Sebastian Bach
TitleBWV 148 Bringet dem Herrn Ehre seines Namens
Occasion17th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentstromba? / clarino?, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo
1st Performancepossibly Leipzig, 19 September 1723
This recordingLund, Allhelgonakyrkan live recording, 14 October 2000
PerformersMonteverdi Choir, Frances Bourne, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 149 Man singet mit Freuden vom Sieg
OccasionMichaelmas Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, fagotto, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1728 or 29
This recordingBremen, Unser Lieben Frauen live recording, 29 September 2000
PerformersMonteverdi Choir, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 124, disk 2, track(s) 15 16 17 18 19 20 21

ComposerJohann Sebastian Bach
TitleBWV 150 Nach dir, Herr, verlanget mich
Occasionper ogni tempo, unspecified
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, fagotto, basso continuo
1st PerformanceArnstadt, around 1706?
This recordingArnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000
PerformersMonteverdi Choir, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 150 Nach dir, Herr, verlanget mich
Occasionper ogni tempo, unspecified
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, fagotto, basso continuo
1st PerformanceArnstadt, around 1706?
This recordingSherborne, Abbey Church of St Mary the Virgin live recording, 04 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, Paul Agnew, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 2, track(s) 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 151 Süßer Trost, mein Jesus kömmt
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1725
This recordingNew York, St. Bartholomew’s live recording, 27 December 2000
PerformersMonteverdi Choir, Gillian Keith, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Rachel Beckett, Sir John Eliot Gardiner
AlbumSDG 127, disk [one disk only], track(s) 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 151 Süßer Trost, mein Jesus kömmt (No. 1 only)
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 December 1725
This recording27 December 2000
PerformersGillian Keith, , English Baroque Soloists, Rachel Beckett, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 9

ComposerJohann Sebastian Bach
TitleBWV 152 Tritt auf die Glaubensbahn
Occasion1st Sunday after Christmas
Genresacred cantata
Choirsolo only
Solo voicesoprano, basso
Instrumentsflauto dolce, oboe, viola d'amore, viola da gamba, basso continuo (con cembalo)
1st PerformanceWeimar, 30 December 1714
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersGillian Keith, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 137, disk [one disk only], track(s) 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 153 Schau, lieber Gott, wie meine Feind
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata, chorale cantata
Choirfour-part (limited to No. 1, 5 and 9 chorales)
Solo voicealto, tenore, basso
Instrumentsviolino I, violino II, viola, organo obligato, basso continuo
1st PerformanceLeipzig, 02 January 1724
This recordingBerlin, Gethsemanekirche, 2 January 2000
PerformersMonteverdi Choir, Ruth Holton, Sally Bruce-Payne, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 2, track(s) 1 2 3 4 5 6 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 154 Mein liebster Jesus ist verloren
Occasion1st Sunday after Epiphany
Genresacred cantata
Choirfour-part (No. 3 and 8 chorales only)
Solo voicealto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 09 January 1724
This recordingHamburg, St. Jacobi live recording, 9 January 2000
PerformersMichael Chance, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 2, track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 155 Mein Gott, wie lang, ach lange? (revised version 1724)
Occasion2d Sunday after Epiphany
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, 19 January 1716; revised version used in this recording: Leipzig, 16 January 1724
This recordingGreenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000
PerformersMonteverdi Choir, Joanne Lunn, Richard Wyn Roberts Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 1, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 155 Mein Gott, wie lang, ach lange? (revised version 1724, No. 4 only)
Occasion2d Sunday after Epiphany
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, 19 January 1716; revised version used in this recording: Leipzig, 16 January 1724
This recordingGreenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000
PerformersJoanne Lunn, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 6

ComposerJohann Sebastian Bach
TitleBWV 156 Ich steh mit einem Fuß im Grabe
Occasion3d Sunday after Epiphany
Genresacred cantata
Choirfour-part (limited to cantus firmus [soprano, No. 2] and final chorale)
Solo voicealto, tenore, basso
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st Performanceprobably Leipzig, 23 January 1729
This recordingMilan, Chiesa di San Marco, between 22 and 24 January 2000
PerformersMonteverdi Choir, Sara Mingardo, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 111 et al., disk [one disk only], track(s) 17 18 19 20 21 22

ComposerJohann Sebastian Bach
TitleBWV 157 Ich lasse dich nicht, du segnest mich denn!
OccasionPurification of Mary
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicetenore, basso
Instrumentsflauto traverso, oboe, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, in or after 1727
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 158 Der Friede sei mit dir
OccasionPurification of Mary or 3d Day of Easter
Genresacred cantata
Choirfour-part (limited to cantus firmus [soprano, No. 2] and final chorale)
Solo voicesoprano, basso
Instrumentsoboe, violino solo, basso continuo
1st Performancethis cantata is a re-compilation of individual movements which go back to different periods; performance of this compilation: Leipzig period
This recordingArnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000
PerformersMonteverdi Choir, Gillian Keith, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 131, disk 1, track(s) 22 23 24 25

ComposerJohann Sebastian Bach
TitleBWV 159 Sehet! Wir gehn hinauf gen Jerusalem
OccasionQuinquagesima
Genresacred cantata
Choirfour-part (limited to cantus firmus [soprano, No. 2] and final chorale)
Solo voicealto, tenore, basso
Instrumentsoboe, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 1729, possibly 27 February
This recordingCambridge, King’s College Chapel live recording, 05 March 2000
PerformersMonteverdi Choir, Claudia Schubert, James Oxley, Peter Harvey, English Baroque Soloists, Xenia Löffler, Sir John Eliot Gardiner
AlbumSDG 118, disk 1, track(s) 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 159 Sehet! Wir gehn hinauf gen Jerusalem (Nos. 4 and 5 only)
OccasionQuinquagesima
Genresacred cantata
Choirfour-part (limited to cantus firmus [soprano, No. 2] and final chorale)
Solo voicealto, tenore, basso
Instrumentsoboe, violino I, violino II, viola, fagotto, basso continuo
1st PerformanceLeipzig, 1729, possibly 27 February
This recordingCambridge, King’s College Chapel live recording, 05 March 2000
PerformersMonteverdi Choir, Peter Harvey, English Baroque Soloists, Xenia Löffler, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 10

ComposerJohann Christoph Bach or Johann Christian Bach
TitleBWV 159Anh. III Ich lasse dich nicht, du segnest mich denn
Occasionunknown
Genremotet
Choireight-part
Solo voice(soprano I, soprano II, alto I, alto II, tenore I, tenore II, basso I, basso II)
Instruments-
1st Performanceunknown
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk 1, track(s) 19

ComposerGeorg Philipp Telemann
TitleBWV 160 Ich weiß, daß mein Erlöser lebt
Occasion1st Day of Easter
Genresacred cantata, solo cantata
Choirsolo only
Solo voicetenore
Instrumentsviolino I, violino II, basso continuo, fagotto
1st Performance1713 or 1714?
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 161 Komm, du süße Todesstunde
OccasionPurification of Mary and 16th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicealto, tenore
Instrumentsflauto dolce I, flauto dolce II, violino I, violino II, viola, basso continuo
1st PerformanceWeimar, 06 October 1715
This recordingSantiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000
PerformersMonteverdi Choir, Robin Tyson, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 104, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 162 Ach, ich sehe, itzt, da ich zur Hochzeit gehe
Occasion20th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentscorno da tirarsi; violino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, 03 November 1715
This recordingGenoa, Cattedrale di San Lorenzo live recording, 4th November 2000
PerformersMonteverdi Choir, Magdalena Kožená, Sara Mingardo, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 1, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 163 Nur jedem das Seine!
Occasion23d Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceWeimar, 24 November 1715
This recordingWinchester, Winchester Cathedral live recording, 26 November 2000
PerformersSusan Hamilton, Hilary Summers, William Kendall, Peter HarveyMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 171, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 164 Ihr, die ihr euch von Christo nennet
Occasion13th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 26 August 1725; some parts are suggested to date back to 1715
This recordingFrankfurt, Dreikönigskirche live recording, 17 September 2000
PerformersMonteverdi Choir, Gillian Keith, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 134, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 165 O heilges Geist- und Wasserbad
OccasionTrinity Sunday
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsviolino I, violino II, viola, basso continuo (+ fagotto)
1st PerformanceWeimar, 16 June 1715
This recordingKirkwall, St. Magnus Cathedral live recording, 18 Juny 2000
PerformersMonteverdi Choir, Ruth Holton, Daniel Taylor, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 2, track(s) 13 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 166 Wo gehest du hin?
OccasionCantate
Genresacred cantata
Choirfour-part (limited to cantus firmus [soprano, No. 3] and final chorale)
Solo voicealto, tenore, basso
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 07 Mai 1724
This recordingWarwick, St. Mary’s live recording, 21 May 2000
PerformersMonteverdi Choir, Robin Tyson, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 107, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 167 Ihr Menschen, rühmet Gottes Liebe
OccasionSt. John the Baptist
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsclarino, oboe, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 24 June 1723
This recordingLondon, St. Giles Cripplegate live recording, 23 or 24 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 101, disk 1, track(s) 1 2 3 4 5

ComposerJohann Sebastian Bach
TitleBWV 168 Tue Rechnung! Donnerwort
Occasion9th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably 29 July 1725
This recordingMerano, Il duomo di S. Nicolò live recording, August 2000
PerformersMonteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 168 et al., disk [one disk only], track(s) 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 169 Gott soll allein mein Herze haben
Occasion18th Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto
Instrumentsoboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 20 October 1726
This recordingLeipzig, Thomaskirche live recording, 22 October 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 2, track(s) 7 8 9 10 11 12 13

ComposerJohann Sebastian Bach
TitleBWV 170 Vergnügte Ruh, beliebte Seelenlust
Occasion6th Sunday after Trinity
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsoboe d'amore, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 28 July 1726
This recordingAnsbach, St Gumbertus live recording, 30 July 2000
PerformersMichael Chance, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 1, track(s) 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 171 Gott, wie dein Name, so ist auch dein Ruhm
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 01 Januar 1729 or later; the final chorale is taken from BWV 41 using different words; the opening chorus re-appears in BWV 232; movement 4 is based on BWV 205, movement 9
This recordingBerlin, Gethsemanekirche, 1 January 2000
PerformersMonteverdi Choir, Ruth Holton, Lucy Ballard, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 150, disk 1, track(s) 20 21 22 23 24 25

ComposerJohann Sebastian Bach
TitleBWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceWeimar, 20 May 1714
This recordingLondon, St. John's, April 1999
PerformersMonteverdi Choir, Martina Jankova, Robin Blaze, Christoph Genz, Reinhard Hagen, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 34 et al., disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten
Occasion1st Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceWeimar, 20 May 1714
This recordingLong Melford, Holy Trinity live recording, 11 June 2000
PerformersMonteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 173a Durchlauchtster Leopold
Occasionbirthday of Prince Leopold of Anhalt-Köthen
Genresecular cantata
Choirsolo only
Solo voicesoprano, basso
Instrumentsflauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo
1st Performanceprobably Köthen, 1722; movement 7 underlies BWV 175, movement 4
This recording-
Performers-
Album[this work is missing in the SDG series], disk не включена в серию SDG, track(s) -

ComposerJohann Sebastian Bach
TitleBWV 173 Erhöhtes Fleisch und Blut
Occasion2nd Day of Whitsun
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo
1st Performanceunknown (first version probably written during the Köthen period); re-performed in Leipzig on 29 May 1724
This recordingLong Melford, Holy Trinity live recording, 12 June 2000
PerformersMonteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 174 Ich liebe den Höchsten von ganzem Gemüte
Occasion2nd Day of Whitsun
Genresacred cantata (the opening sinfonia is based on the first movement of the BWV 1048 Brandenburg Concerto No. 3 which Bach extended by 2 horns, 3 oboes and 1 bassoon)
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentscorno I, corno II, oboe I, oboe II, oboe da caccia, violino I, violino II, violino III, viola I, viola II, viola III, violoncello obligato I, violoncello obligato II, violoncello obligato III, fagotto, organo, basso continuo
1st PerformanceLeipzig, 06 June 1729
This recordingLong Melford, Holy Trinity live recording, 12 June 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 121, disk 2, track(s) 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 175 Er rufet seinen Schafen mit Namen
Occasion3d Day of Whitsun
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, tenore, basso
Instrumentstromba I, tromba II, flauto dolce I, flauto dolce II, flauto dolce III, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 22 May 1725
This recordingBlythburgh, Holy Trinity church live recording, 13 Juny 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, Christoph Genz, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 1, track(s) 10 11 12 13 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 176 Es ist ein trotzig und verzagt Ding
OccasionTrinity Sunday
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentsoboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 27 May 1725
This recordingKirkwall, St. Magnus Cathedral live recording, 18 Juny 2000
PerformersMonteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 2, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 177 Ich ruf zu dir, Herr Jesu Christ
Occasion4th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore
Instrumentsoboe I, oboe II, oboe da caccia, fagotto, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 06 July 1732
This recordingTewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000
PerformersMonteverdi Choir, Magdalena Kožena, Nathalie Stutzmann, Paul Agnew, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 1, track(s) 13 14 15 16 17

ComposerJohann Sebastian Bach
TitleBWV 178 Wo Gott der Herr nicht bei uns hält
Occasion8th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentscorno, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 July 1724
This recordingRendsburg, Christkirche, 13 August 2000
PerformersMonteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 147, disk 1, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 179 Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Audio)
Occasion11th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 August 1723
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMonteverdi Choir, Magdalena Kožena, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 113 et al., disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 179 Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Video)
Occasion11th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 August 1723
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMonteverdi Choir, Magdalena Kožena, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumOpusArte, disk [one disk only], track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 180 Schmücke dich, o liebe Seele
Occasion20th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, flauto dolce I, flauto dolce II, oboe, oboe da caccia, Violoncello piccolo, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 22 October 1724
This recordingGenoa, Cattedrale di San Lorenzo live recording, 4th November 2000
PerformersMonteverdi Choir, Magdalena Kožená, Sara Mingardo, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 1, track(s) 13 14 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 181 Leichtgesinnte Flattergeister
OccasionSexagesimae
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba, flauto traverso, oboe, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 13 February 1724
This recordingSouthwell (Nottinghamshire), Southwell Minster, live recording, 27 February 2000
PerformersMonteverdi Choir, Angharad Gruffydd Jones, Robin Tyson, James Gilchrist, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 153, disk 2, track(s) 6 7 8 9 10

ComposerJohann Sebastian Bach
TitleBWV 182 Himmelskönig, sei willkommen
OccasionPalmarum
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto dolce, violino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 25 March 1714
This recordingWalpole St Peter's Church (Norfolk) live recording, 26 March 2000
PerformersMonteverdi Choir, Nathalie Stutzmann, James Gilchrist, Peter Harvey, English Baroque Soloists, Catherine Latham, Maya Homburger, Sir John Eliot Gardiner
AlbumSDG 118, disk 2, track(s) 1 2 3 4 5 6 7 8

ComposerJohann Sebastian Bach
TitleBWV 182 Himmelskönig, sei willkommen (No. 1 and 2 only)
OccasionPalmarum
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsflauto dolce, violino I, violino II, viola I, viola II, basso continuo
1st PerformanceWeimar, 25 March 1714
This recordingWalpole St Peter's Church (Norfolk) live recording, 26 March 2000
PerformersMonteverdi Choir, English Baroque Soloists, Catherine Latham, Maya Homburger, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 2 and 3

ComposerJohann Sebastian Bach
TitleBWV 183 Sie werden euch in den Bann tun II
OccasionExaudi
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, violoncello piccolo, basso continuo
1st PerformanceLeipzig, 13 May 1725
This recordingSherborne, Abbey Church of St Mary the Virgin live recording, 04 June 2000
PerformersMonteverdi Choir, Joanne Lunn, Daniel Taylor, Paul Agnew, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 144, disk 2, track(s) 15 16 17 18 19

ComposerJohann Sebastian Bach
TitleBWV 184 Erwünschtes Freudenlicht
Occasion3d Day of Whitsun
Genresacred cantata, (whilst performed in Leipzig in 1724 and 1731, this cantata is a borrowing from the secular 184 a, Köthen, title and date of performance unknown)
Choirfour-part
Solo voicesoprano, alto, tenore
Instrumentsflauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 30 May 1724
This recordingBlythburgh, Holy Trinity church live recording, 13 Juny 2000
PerformersMonteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 1, track(s) 4 5 6 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 185 Barmherziges Herze der ewigen Liebe
Occasion4th Sunday after Trinity
Genresacred cantata, chorale cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe (alternatively: tromba), violino I, violino II, viola, fagotto, basso continuo
1st PerformanceWeimar, 14 July 1715; this recording is based on a revision performed in Leipzig in 1746 and re-performed in 1747
This recordingTewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000
PerformersMonteverdi Choir, Magdalena Kožena, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 141, disk 1, track(s) 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 186 Ärgre dich, o Seele, nicht
Occasion7th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo
1st Performancelost original version: Weimar 1716; surviving revised version: Leipzig, 11 July 1723
This recordingHaddington, St Mary’s live recording, 5 or 6 August 2000
PerformersMonteverdi Choir, Katharine Fuge, Richard Wyn Roberts, Kobie van Rensburg, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11

ComposerJohann Sebastian Bach
TitleBWV 187 Es wartet alles auf dich
Occasion7th Sunday after Trinity
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 04 August 1726
This recordingHaddington, St Mary’s live recording, 5 or 6 August 2000
PerformersMonteverdi Choir, Katharine Fuge, Richard Wyn Roberts, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 156, disk 2, track(s) 19 20 21 22 23 24 25

ComposerJohann Sebastian Bach
TitleBWV 188 Ich habe meine Zuversicht
Occasion21st Sunday after Trinity
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, about 1728
This recordingGreenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000
PerformersMonteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 168, disk 2, track(s) 18 19 20 21 22 23

ComposerGeorg Melchior Hoffmann
TitleBWV 189 Meine Seele rühmt und preist
Occasionper ogni tempo, unspecified
Genresacred cantata, solo cantata
Choirsolo only
Solo voicetenore
Instrumentsflauto dolce, oboe, violino, basso continuo
1st Performance1707-1710?
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 190 Singet dem Herrn ein neues Lied (cantata fragment reconstructed by the performers of this recording)
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore; fagotto, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 01 January 1724
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersMonteverdi Choir, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Katherine McGillivray, Sir John Eliot Gardiner
AlbumSDG 137, disk [one disk only], track(s) 20 21 22 23 24 25 26

ComposerJohann Sebastian Bach
TitleBWV 190 Singet dem Herrn ein neues Lied (cantata fragment reconstructed by the performers of this recording; in this release: No. 5 only)
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicealto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore; fagotto, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 01 January 1724
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersJames Gilchrist, Peter Harvey, English Baroque Soloists, Katherine McGillivray, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 8

ComposerJohann Sebastian Bach
TitleBWV 190a Singet dem Herrn ein neues Lied (lost cantata)
OccasionCantata for the festivities of the Confession of Augsburg in 1730, Leipzig 25 June 1730
Genresacred cantata
Choirmost likely the same as BWV 190: four-part
Solo voicemost likely the same as BWV 190: alto, tenore, basso
Instrumentsmost likely the same as BWV 190: tromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore; fagotto, violino I, violino II, viola, basso continuo
1st Performance?Leipzig, June 1730?
This recording-
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 191 Gloria in excelsis Deo  
Occasion1st Day of Christmas
Genreliturgical piece, three movements borrowed from the Mass in B minor (Gloria in excelsis Deo, Domine Deus, Cum sancto spiritu)
Choirfive-part (divided soprano)
Solo voicesoprano, tenore
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performanceprobably Leipzig, after 1740
This recordingWeimar, Herderkirche live recording, 25 December 1999
PerformersClaron McFadden, Christoph Genz, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 174, disk 1, track(s) 8 9 10

ComposerJohann Sebastian Bach
TitleBWV 192 Nun danket alle Gott (incomplete)
Occasionunspecified, possibly Feast of Reformation
Genresacred cantata, chorale cantata
Choirfour-part (tenor part is lost)
Solo voicesoprano, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performancepossibly Leipzig, on Reformation Day 1730
This recordingWittenberg, Schlosskirche live recording, 31 October 2000
PerformersMonteverdi Choir, Joanne Lunn, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 110, disk 2, track(s) 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 193 Ihr Tore zu Zion (incomplete)
Occasioncouncil election
Genresecular cantata
Choirfour-part (male parts are lost)
Solo voicesoprano, alto (the male parts are missing)
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo (some parts are missing)
1st PerformanceLeipzig, 1727 (the lost original version without BWV number was written in Köthen and underlies two cantatas which were both performed in Leipzig: BWV 193, 193a)
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ComposerJohann Sebastian Bach
TitleBWV 194 Höchsterwünschtes Freudenfest (part I for Trinity Sunday)
Occasioninitially secular piece after 1717; re-usued as "Concerto Bey Einweihung der Orgel in Störmthal" (Dedication of the Organ at Störmthal) in 1723; Bach re-used part I of this cantata for Trinity in 1724, 1726 and 1731 (as in this recording)
Genresacred cantata (borrowing from the secular lost Köthen 194 a)
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsoboe I, oboe II, oboe III, violino I, violino II, basso continuo (+ fagotto)
1st Performancethis sacred borrowing: Leipzig, 02 Novermber 1723 (date of composition of the lost original: ?late? Köthen period)
This recordingKirkwall, St. Magnus Cathedral live recording, 18 Juny 2000
PerformersMonteverdi Choir, Ruth Holton, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 2, track(s) 1 2 3 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 195 Dem Gerechten muss das Licht immer wieder aufgehen
Occasionwedding ceremony
Genresacred cantata
Choireight-part (or four-part + solo voices)
Solo voicesoprano, basso (+ alto & tenore where the choir is not eight but four-part, and four soloists are used as the complementary choir)
Instrumentstromba I, tromba II, tromba III, timpani, corno I, corno II, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 11 September 1741 (underlying 30a: 28 September 1737; final version of 195: probably 1749)
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ComposerJohann Sebastian Bach
TitleBWV 196 Der Herr denket an uns
Occasionwedding ceremony
Genresacred cantata
Choirfour-part
Solo voicesoprano, tenore, basso
Instrumentsviolino I, violino II, viola, violoncello obligato, basso continuo
1st Performanceprobably Weimar, 05 June 1708
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ComposerJohann Sebastian Bach
TitleBWV 197 Gott ist unsre Zuversicht
Occasionwedding ceremony
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentstromba I, tromba II, tromba III, timpani, oboe I, oboe II (?oboe d'amore I, oboe d'amore II?), violino I, violino II, viola, fagotto obligato, basso continuo
1st PerformanceLeipzig, between 1736 and 1740 (the two No 6 and 8 arias are based on 197a, No 4 and 6 = 1728)
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ComposerJohann Sebastian Bach
TitleBWV 197a Ehre sei Gott in der Höhe (incomplete)
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part (final chorale only)
Solo voicealto, basso
Instrumentsflauto traverso I, flauto traverso II, oboe d'amore, violino I, violino II, viola, violoncello, fagotto, basso continuo
1st PerformanceLeipzig, ca. 1728
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ComposerJohann Sebastian Bach
TitleBWV 198 Laß, Fürstin, laß noch einen Strahl
Occasionfuneral ode for Christiane Eberhardine, Queen of Poland and Electress of Saxony
Genresecular cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe (d'amore) I, oboe (d'amore) II, violino I, violino II, viola, viola da gamba I, viola da gamba II, liuto I, liuto II, basso continuo (organo, cembalo)
1st PerformanceLeipzig, 15 October 1727
This recordingLondon, St. John's, September 1989
PerformersMonteverdi Choir, Nancy Argenta, Michael Chance, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 106 et al., disk [one disk only], track(s) 6 7 8 9 10 11 12 13 14 15

ComposerJohann Sebastian Bach
TitleBWV 199 Mein Herze schwimmt im Blut (Audio)
Occasion11th Sunday after Trinity
Genresacred cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsoboe, violino I, violino II, viola, basso continuo, fagotto
1st PerformanceWeimar, 12 August 1714
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMagdalena Kožena, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 113 et al., disk [one disk only], track(s) 7 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 199 Mein Herze schwimmt im Blut (Video)
Occasion11th Sunday after Trinity
Genresacred cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsoboe, violino I, violino II, viola, basso continuo, fagotto
1st PerformanceWeimar, 12 August 1714
This recordingSt David's, St David's Cathedral live recording, September 2000
PerformersMagdalena Kožena, English Baroque Soloists, Sir John Eliot Gardiner
AlbumOpusArte, disk [one disk only], track(s) 7 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 200 Bekennen will ich seinen Namen (incomplete)
OccasionPurification of Mary
Genresacred cantata, solo cantata
Choirsolo only
Solo voicealto
Instrumentsviolino I, violino II, viola, basso continuo
1st PerformanceLeipzig, around 1742
This recordingChristchurch, Priory Church, February 2000
PerformersRobin Tyson, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 82 et al., disk [one disk only], track(s) 17

ComposerJohann Sebastian Bach
TitleBWV 201 Geschwinde, ihr wirbelnden Winde
Occasionunknown
Genresecular cantata, dramma per musica
Choirsix-part (divided male voices)
Solo voicesoprano (Momus), alto (Mercurius), tenore I (Tmolus), tenore II (Midas), basso I (Phoebus), basso II (Pan)
Instrumentstimpani, tromba I, tromba II, tromba III, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, viola, basso continuo
1st PerformanceLeipzig, 1729
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ComposerJohann Sebastian Bach
TitleBWV 202 Weichet nur, betrübte Schatten
Occasionwedding celebrations
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsoboe, violino I, violino II, viola, basso continuo
1st Performancewahrscheinlich Köthen between 1718 and 1723
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ComposerJohann Sebastian Bach
TitleBWV 203 Amore traditore (Bach is not confirmed to be the composer)
Occasionunknown
Genresecular cantata, solo cantata
Choirsolo only
Solo voicebasso
Instrumentscembalo obligato
1st Performancepossibly around 1735
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ComposerJohann Sebastian Bach
TitleBWV 204 Ich bin in mir vergnügt
Occasionunknown
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsflauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 1726 or 27
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ComposerJohann Sebastian Bach
TitleBWV 205 Zerreißet, zersprenget, zertrümmert die Gruft
Occasionname day celebrations of the Leipzig university professor August Friedrich Müller
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano (Pallas), alto (Pomona), tenore (Zephyrus), basso (Aeolus)
Instrumentstromba I, tromba II, tromba III, timpani, corno I, corno II, flauto traverso I, flauto traverso II, oboe I, oboe II (alternatively: oboe d'amore + oboe), violino I, violino II, viola, viola d'amore, viola da gamba, continuo
1st PerformanceLeipzig, 03 August 1725
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ComposerJohann Sebastian Bach
TitleBWV 205a Blast Lärmen, ihr Feinde! verstärket die Macht (lost)
Occasioncoronation ceremonies for August III
Genresecular cantata, dramma per musica
Choirunknown
Solo voiceunknown
Instrumentsunknown
1st PerformanceLeipzig, 17 January 1734
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ComposerJohann Sebastian Bach
TitleBWV 206 Schleicht, spielende Wellen, und murmelt gelinde!
Occasionbirthday celebrations for Augusts III
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano (Pleiße), alto (Donau), tenore (Elbe), basso (Weichsel)
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, flauto traverso III, oboe I, oboe II, oboe III, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st Performancepossibly 1736; no records available relating to the place of performance
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ComposerJohann Sebastian Bach
TitleBWV 207 Vereinigte Zwietracht der wechselnden Saiten
OccasionBey des Herrn D. Korttens erhaltener Profession
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano (Glück), alto (Dankbarkeit), tenore (Fleiß), basso (Ehre)
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II (alternatively: oboe d'amore I, oboe d'amore II), taille, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 11 December 1726
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ComposerJohann Sebastian Bach
TitleBWV 207а Auf, schmetternde Töne der muntern Trompeten
Occasionname day celebrations for August III
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II (alternatively: oboe d'amore I, oboe d'amore II), taille, violino I, violino II, viola, basso continuo
1st Performancepossibly 03 August 1735; no records available relating to the place of performance
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ComposerJohann Sebastian Bach
TitleBWV 208 Was mir behagt, ist nur die muntre Jagd!
Occasionbirthday celebrations for the prince Christian von Sachsen-Weißenfels
Genresecular cantata, dramma per musica
Choirfour-part (divided soprano, without alto)
Solo voicesoprano I (Diana), soprano II (Pales), tenore (Endymion), basso (Pan)
Instrumentscorno da caccia I, corno da caccia II, flauto dolce I, flauto dolce II, oboe I, oboe II, taille, fagotto, violino I, violino II, viola, basso continuo (+ violone grosso)
1st Performanceprobably Weimar, 1713
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ComposerJohann Sebastian Bach
TitleBWV 208a Was mir behagt, ist nur die muntre Jagd (modified BWV 208, author unknown)
Occasionname day celebrations for August III
Genresecular cantata, dramma per musica
Choirfour-part (divided soprano, without alto)
Solo voicesoprano I (Diana), soprano II (Pales), tenore (Endymion), basso (Pan)
Instrumentscorno da caccia I, corno da caccia II, flauto dolce I, flauto dolce II, oboe I, oboe II, taille, fagotto, violino I, violino II, viola, basso continuo (+ violone grosso)
1st Performance03 August 1740 or 42; no records available relating to the place of performance
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ComposerJohann Sebastian Bach
TitleBWV 209 Non sa che sia dolore (Bach is not proven to be the composer)
Occasionunknown
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsflauto traverso, violino I, violino II, viola, basso continuo
1st Performance1729?
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ComposerJohann Sebastian Bach
TitleBWV 210 O holder Tag, erwünschte Zeit
Occasionwedding celebrations
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsflauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo (+ violone)
1st Performanceprobably between 1740 and 50
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ComposerJohann Sebastian Bach
TitleBWV 210a O angenehme Melodei! (incomplete)
Occasionhomage to the count Joachim Friedrich von Flemming and two other patrons
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano
Instrumentsflauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo (+ violone)
1st Performanceprobably between 1738 and 40
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ComposerJohann Sebastian Bach
TitleBWV 211 Schweigt stille, plaudert nicht
Occasionno data available
Genresecular cantata, dramma per musica
Choirthree-part (without alto)
Solo voicesoprano (Liesgen), tenore (narrator), basso (Schlendrian)
Instrumentsflauto traverso, violino I, violino II, viola, basso continuo (cembalo)
1st PerformanceLeipzig, 1734
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ComposerJohann Sebastian Bach
TitleBWV 212 Mer hahn en neue Oberkeet
Occasionhomage to Carl Heinrich von Dieskau, chamberlain to Leipzig-Kleinzschocher
Genresecular cantata
Choirthree-part (without middle voices)
Solo voicesoprano, basso
Instrumentscorno, flauto traverso, violino I, violino II, viola, basso continuo (cembalo)
1st PerformanceLeipzig, 30 August 1742
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ComposerJohann Sebastian Bach
TitleBWV 213 Laßt uns sorgen, lasst uns wachen
Occasionbirthday ceremonies for Kurprinz Friedrich von Sachsen
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentscorno da caccia I, corno da caccia II (alternatively: corno I, corno II), oboe d'amore, oboe I, oboe II, violino I, violino II, viola I, viola II, continuo
1st PerformanceLeipzig, 05. September 1733
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ComposerJohann Sebastian Bach
TitleBWV 214 Tönet, ihr Pauken! Erschallet, Trompeten!
Occasionbirthday celebrations for the Queen of Poland and Electress of Saxony Maria Josepha
Genresecular cantata, dramma per musica
Choirfour-part
Solo voicesoprano (Bellona), alto (Pallas), tenore (Irene), basso (Fama)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, 08 December 1733
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ComposerJohann Sebastian Bach
TitleBWV 215 Preise dein Glücke, gesegnetes Sachsen
Occasionanniversary of the election of Augusts III as King of Poland
Genresecular cantata, dramma per musica
Choireight-part
Solo voicesoprano, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo (+ fagotto)
1st Performance05 October 1734; no records available relating to the place of performance
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ComposerJohann Sebastian Bach
TitleBWV 216 Vergnügte Pleißen-Stadt (incomplete)
Occasionwedding celebrations
Genresecular cantata, solo cantata
Choirsolo only
Solo voicesoprano (Neiße), alto (Pleiße)
Instrumentsinstrumental parts are lost
1st PerformanceLeipzig, 05 February 1728
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ComposerJohann Sebastian Bach
TitleBWV 216a Erwählte Pleißenstadt (incomplete)
Occasionhomage (to an unknown person)
Genresecular cantata, probably solo cantata
Choirsolo only
Solo voicealto, tenore
Instrumentsinstrumental parts are lost
1st Performanceafter 1728
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ComposerJohann Sebastian Bach
TitleBWV 217 Gedenke, Herr, wie es uns geht (not confirmed to be written by Bach)
Occasion1st Sunday after Epiphany
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso, violino I, violino II, viola, basso continuo
1st Performancenot part of the BCP
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ComposerGeorg Philipp Telemann
TitleBWV 218 Gott der Hoffnung erfülle euch
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerGeorg Philipp Telemann
TitleBWV 219 Siehe, es hat überwunden der Löwe
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach?
TitleBWV 220 Lobt ihn mit Herz und Munde
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach?
TitleBWV 221 Wer sucht die Pracht, wer wünscht den Glanz
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Ernst Bach
TitleBWV 222 Mein Odem ist schwach
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach
TitleBWV 223 Meine Seele soll Gott loben (incomplete)
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach
TitleBWV 224 Reißt euch los, bekränkte Stimmen (incomplete aria)
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach
TitleBWV 224a Klagt, Kinder, klagt es aller Welt (lost)
Occasion
Genre
Choir
Solo voice
Instruments
1st Performance
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ComposerJohann Sebastian Bach
TitleBWV 225 Singet dem Herrn ein neues Lied (motet)
OccasionNew Year's Day?
Genremotet
Choireight-part
Solo voice(soprano I, soprano II, alto I, alto II, tenore I, tenore II, basso I, basso II)
Instrumentsno separate parts (organo con il basso continuo)
1st Performanceprobably Leipzig, 01 January 1727
This recordingNew York, St. Bartholomew’s live recording, 31 December 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 137, disk [one disk only], track(s) 1

ComposerJohann Sebastian Bach
TitleBWV 225 Singet dem Herrn ein neues Lied (motet)
OccasionNew Year's Day?
Genremotet
Choireight-part
Solo voice(soprano I, soprano II, alto I, alto II, tenore I, tenore II, basso I, basso II)
Instrumentsno separate parts (organo con il basso continuo)
1st Performanceprobably Leipzig, 01 January 1727
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk всего один диск, track(s) 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 226 Der Geist hilft unser Schwachheit auf
OccasionFuneral of Johann Heinrich Ernesti, headmaster of the Leipzig Thomasschule
Genremotet
Choireight-part
Solo voicechoral only
Instrumentscolla parte - coro I: violino I, violino II, viola, violoncello; colla parte - coro II: oboe I, oboe II, taille, fagotto; basso continuo con il violone
1st PerformanceLeipzig, probably 20 or 24 October 1729
This recordingLund, Allhelgonakyrkan live recording, 14 October 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 1, track(s) 19

ComposerJohann Sebastian Bach
TitleBWV 226 Der Geist hilft unser Schwachheit auf
OccasionFuneral of Johann Heinrich Ernesti, headmaster of the Leipzig Thomasschule
Genremotet
Choireight-part
Solo voicechoral only
Instrumentscolla parte - coro I: violino I, violino II, viola, violoncello; colla parte - coro II: oboe I, oboe II, taille, fagotto; basso continuo con il violone
1st PerformanceLeipzig, probably 20 or 24 October 1729
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk 1, track(s) 3

ComposerJohann Sebastian Bach
TitleBWV 227 Jesu, meine Freude
Occasionfuneral service (for Oberpostmeisterin Keeß?)
Genremotet
Choirfive-part (divided soprano)
Solo voice(soprano I, soprano II, alto, tenore, basso)
Instrumentsno separate parts, organo con il basso continuo
1st PerformanceLeipzig, probably 18 July 1723
This recordingRomsey, Romsey Abbey live recording,30 January 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 115, disk 2, track(s) 19 20 21 22 23 24 25 26 27 28 29

ComposerJohann Sebastian Bach
TitleBWV 227 Jesu, meine Freude
Occasionfuneral service (for Oberpostmeisterin Keeß?)
Genremotet
Choirfive-part (divided soprano)
Solo voice(soprano I, soprano II, alto, tenore, basso)
Instrumentsno separate parts, organo con il basso continuo
1st PerformanceLeipzig, probably 18 July 1723
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk 1, track(s) 4 5 6 7 8 9 10 11 12 13 14

ComposerJohann Sebastian Bach
TitleBWV 228 Fürchte dich nicht, ich bin bei dir
Occasionfuneral service?
Genremotet
Choireight-part
Solo voice-
Instrumentsno separate parts
1st Performanceunknown
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk 1, track(s) 15

ComposerJohann Sebastian Bach
TitleBWV 229 Komm, Jesu, komm, mein Leib ist müde
Occasionfuneral service
Genremotet
Choireight-part
Solo voice-
Instruments-
1st Performanceunknown
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk всего один диск, track(s) 2

ComposerJohann Sebastian Bach
TitleBWV 230 Lobet den Herrn, alle Heiden
Occasionfuneral service?
Genremotet
Choirfour-part
Solo voice-
Instrumentsorgano
1st Performanceunknown
This recordingLondon, St John's Smith Square live recording, 2011
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 716, disk всего один диск, track(s) 1

ComposerJohann Sebastian Bach
TitleBWV 232 Messe in h-Moll
Occasion-
GenreMass
Choirfive-part
Solo voicesoprano, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, corno da caccia, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore I, oboe d'amore II, fagotto I, fagotto II, violino I, violino II, viola, basso continuo
1st PerformanceSanctus: Leipzig, 25 December 1724; completion / dispatch of the Missa (Kyrie and Gloria) to the Dresden court: Leipzig, 27 July 1733; remaining movements: Leipzig, between 1740 and 1750
This recordingLondon, All Saints’ Church, February 1985
PerformersMonteverdi Choir, Nancy Argenta, Lynne Dawson, Jane Fairfield, Jean Knibbs, Patrizia Kwella, Carol Hall, Mary Nichols, Michael Chance, Patrick Collin, Ashley Stafford, Wynford Evans, Howard Milner, Andrew Murgatroyd, Richard Lloyd-Morgan, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 232 et al., disk 1, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 232 Messe in h-Moll
Occasion-
GenreMass
Choirfive-part
Solo voicesoprano I, sopranoo II, alto, tenore, basso
Instrumentstromba I, tromba II, tromba III, timpani, corno da caccia, flauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore I, oboe d'amore II, fagotto I, fagotto II, violino I, violino II, viola, basso continuo
1st PerformanceSanctus: Leipzig, 25 December 1724; completion / dispatch of the Missa (Kyrie and Gloria) to the Dresden court: Leipzig, 27 July 1733; remaining movements: Leipzig, between 1740 and 1750
This recordingLondon, All Saints’ Church, February 1985
PerformersMonteverdi Choir, Nancy Argenta, Lynne Dawson, Jane Fairfield, Jean Knibbs, Patrizia Kwella, Carol Hall, Mary Nichols, Michael Chance, Patrick Collin, Ashley Stafford, Wynford Evans, Howard Milner, Andrew Murgatroyd, Richard Lloyd-Morgan, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 232 et al., disk 2, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 233 Messe in F-Dur
Occasionprobably commissioned work
Genremass
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentscorno I, corno II, oboe I, oboe II, violino I, violino II, viola, fagotto, basso continuo
1st Performancepossibly 1738
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 234 Messe in А-Dur
Occasionprobably commissioned work
Genremass
Choirfour-part
Solo voicesoprano, alto, basso
Instrumentsflauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo
1st Performancepossibly before 1742
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 235 Messe in g-moll
Occasionprobably commissioned work
Genremass
Choirfour-part
Solo voicealto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performancepresumably late period
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 236 Messe in G-Dur
Occasionprobably commissioned work
Genremass
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsoboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performancepossibly before 1742
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 243 Magnificat in D-Dur
Occasion1st Day of Christmas
Genreliturgical arrangement
Choirfive-part
Solo voicesoprano I, soprano II, alto, tenore, basso
Instrumentstromba in D I, tromba in D II, tromba in D III, timpani, flauto traverso I, flauto traverso II, oboe I, oboe II (oboe d'amore I, oboe d'amore II), violino I, violino II, viola, basso continuo (violoncello, violone, fagotto)
1st PerformanceLeipzig, 1728/31
This recordingLondon, November 1983
PerformersMonteverdi Choir, Nancy Argenta, Patrizia Kwella, Charles Brett, Anthony Rolfe-Johnson, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
AlbumPHILIPS BWV 51 et al., disk [one disk only], track(s) 1 2 3 4 5 6 7 8 9 10 11 12

ComposerJohann Sebastian Bach
TitleBWV 243a Magnificat in Es-dur
OccasionFeast of the Visitation of the Virgin
Genreliturgical arrangement
Choirfive-part
Solo voicesoprano I, soprano II, alto, tenore, basso
Instrumentstromba in Es I, tromba in Es II, tromba in Es III, timpani, oboe I, oboe II (flauto dolce I, flauto dolce II), violino I, violino II, viola, basso continuo (+ fagotto)
1st PerformanceLeipzig, 25 December 1723
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 244 Matthäus-Passion
Occasionno record
Genreoratorio
Choireight-part
Solo voicesoprano, alto, basso; complemented by: tenore (Evangelist), baritone (Jesus), soprano (Pilate’s wife), soprano (maids), alto (first witness), tenore (second witness), baritone (Pilate), baritone (high priest), basso (Judas)
Instrumentsflauto dolce I, flauto dolce II, flauto traverso I, flauto traverso II, oboe , oboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, viola da gamba, basso continuo
1st PerformanceLeipzig, probably between 1727 and 1729
This recordingSnape, The Maltings Concert Hall, April 1988
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Andreas Schmidt, Barbara Bonney, Ann Monoyios, Anne Sofie von Otter, Michael Chance, Howard Crook, Olaf Bär, Cornelius Hauptmann, Gill Ross, Ruth Holton, The London Oratory Junior Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 244, disk 1, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 244 Matthäus-Passion
Occasionno record
Genreoratorio
Choireight-part
Solo voicesoprano, alto, basso; complemented by: tenore (Evangelist), baritone (Jesus), soprano (Pilate’s wife), soprano (maids), alto (first witness), tenore (second witness), baritone (Pilate), baritone (high priest), basso (Judas)
Instrumentsflauto dolce I, flauto dolce II, flauto traverso I, flauto traverso II, oboe , oboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, viola da gamba, basso continuo
1st PerformanceLeipzig, probably between 1727 and 1729
This recordingSnape, The Maltings Concert Hall, April 1988
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Andreas Schmidt, Barbara Bonney, Ann Monoyios, Anne Sofie von Otter, Michael Chance, Howard Crook, Olaf Bär, Cornelius Hauptmann, Gill Ross, Ruth Holton, The London Oratory Junior Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 244, disk 2, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 244 Matthäus-Passion
Occasionno record
Genreoratorio
Choireight-part
Solo voicesoprano, alto, basso; complemented by: tenore (Evangelist), baritone (Jesus), soprano (Pilate’s wife), soprano (maids), alto (first witness), tenore (second witness), baritone (Pilate), baritone (high priest), basso (Judas)
Instrumentsflauto dolce I, flauto dolce II, flauto traverso I, flauto traverso II, oboe , oboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, viola da gamba, basso continuo
1st PerformanceLeipzig, probably between 1727 and 1729
This recordingSnape, The Maltings Concert Hall, April 1988
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Andreas Schmidt, Barbara Bonney, Ann Monoyios, Anne Sofie von Otter, Michael Chance, Howard Crook, Olaf Bär, Cornelius Hauptmann, Gill Ross, Ruth Holton, The London Oratory Junior Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 244, disk 3, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 245 Johannes-Passion (1724)
Occasionno record
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola d'amore I, viola d'amore II, viola, viola da gamba, liuto (alternativ: organo, cembalo), basso continuo (violoncello, violone, fagotto)
1st PerformanceLeipzig, 07 April 1724
This recordingLondon, All Saints’ Church, March 1986
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Stephen Varcoe, Cornelius Hauptmann, Nancy Argenta, Ruth Holton, Michael Chance, Neill Archer, Rufus Müller, Gillian Ross, Andrew Murgatroyd, Nicolas Robertson, Simon Birchall, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 245, disk 1, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 245 Johannes-Passion (1724)
Occasionno record
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola d'amore I, viola d'amore II, viola, viola da gamba, liuto (alternativ: organo, cembalo), basso continuo
1st PerformanceLeipzig, 07 April 1724
This recordingLondon, All Saints’ Church, March 1986
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Stephen Varcoe, Cornelius Hauptmann, Nancy Argenta, Ruth Holton, Michael Chance, Neill Archer, Rufus Müller, Gillian Ross, Andrew Murgatroyd, Nicolas Robertson, Simon Birchall, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 245, disk 2, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 245 Johannes-Passion (1724)
Occasionno record
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola d'amore I, viola d'amore II, viola, viola da gamba, liuto (alternativ: organo, cembalo), basso continuo (violoncello, violone, fagotto)
1st PerformanceLeipzig, 07 April 1724
This recordingKönigslutter, Kaiserdom, 22 March 2003
PerformersMonteverdi Choir, Katherine Fuge, Joanne Lunn, Bernarda Fink, Mark Padmore, Hanno Müller-Brachmann, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 712, disk 1, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 245 Johannes-Passion (1724)
Occasionno record
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentsflauto traverso I, flauto traverso II, oboe I, oboe II, oboe d'amore, oboe da caccia I, oboe da caccia II, violino I, violino II, viola d'amore I, viola d'amore II, viola, viola da gamba, liuto (alternativ: organo, cembalo), basso continuo
1st PerformanceLeipzig, 07 April 1724
This recordingKönigslutter, Kaiserdom, 22 March 2003
PerformersMonteverdi Choir, Katherine Fuge, Joanne Lunn, Bernarda Fink, Mark Padmore, Hanno Müller-Brachmann, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 712, disk 2, track(s) all

ComposerJohann Sebastian Bach
TitleBWV 247 Markus-Passion
OccasionGood Friday
Genreoratorio
Choirscoring in the reconstruction used by Ton Koopman: four-part
Solo voicescoring in the reconstruction used by Ton Koopman: soprano, alto, tenore, basso (Christus); another tenor for the parts of Petrus, Judas, Miles and Centurio; another bass for the parts of Pontifex, Pilatus and Testis I
Instrumentsscoring in the reconstruction used by Ton Koopman: flauto traverso I, flauto traverso II, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo
1st Performance23 March 1731
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 248-I Jauchzet, frohlocket! Auf, preiset die Tage
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 1, track(s) 1 2 3 4 5 6 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 248-II Und es waren Hirten in derselben Gegend
Occasion2nd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentsflauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 1, track(s) 10 11 12 13 14 15 16 17 18 19 20 21 22 23

ComposerJohann Sebastian Bach
TitleBWV 248-III Herrscher des Himmels, erhöre das Lallen
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 1, track(s) 24 25 26 27 28 29 30 31 32 33 34 35 36

ComposerJohann Sebastian Bach
TitleBWV 248-IV Fallt mit Danken, fallt mit Loben
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentscorno da caccia I (F), corno da caccia II (F), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 2, track(s) 1 2 3 4 5 6 7

ComposerJohann Sebastian Bach
TitleBWV 248-V Ehre sei dir, Gott, gesungen
OccasionSunday after New Year's Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 2, track(s) 8 9 10 11 12 13 14 15 16 17 18

ComposerJohann Sebastian Bach
TitleBWV 248-VI Herr, wenn die stolzen Feinde schnauben
OccasionFeast of Epiphany
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingLondon, Abbey Road Studios, January 1987
PerformersMonteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner
AlbumARCHIV BWV 248, disk 2, track(s) 19 20 21 22 23 24 25 26 27 28 29

ComposerJohann Sebastian Bach
TitleBWV 248-I Jauchzet, frohlocket! Auf, preiset die Tage
Occasion1st Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 1 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 248-II Und es waren Hirten in derselben Gegend
Occasion2nd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentsflauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 1 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 248-III Herrscher des Himmels, erhöre das Lallen
Occasion3rd Day of Christmas
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 1 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 248-IV Fallt mit Danken, fallt mit Loben
OccasionNew Year's Day, Feast of the Circumcision
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentscorno da caccia I (F), corno da caccia II (F), oboe I, oboe II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 2 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 248-V Ehre sei dir, Gott, gesungen
OccasionSunday after New Year's Day
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentsoboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 2 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 248-VI Herr, wenn die stolzen Feinde schnauben
OccasionFeast of Epiphany
Genresacred cantata
Choirfour-part
Solo voicesoprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes)
Instrumentstromba I (D), tromba II (D), tromba III (D), timpani, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo
1st PerformanceLeipzig, probably between First Advent and Christmas 1734
This recordingWeimar, Herderkirche live recording, December 1999
PerformersMonteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner
AlbumEuroArts, disk 2 (DVD), track(s) all

ComposerJohann Sebastian Bach
TitleBWV 249 Kommt, eilet und laufet
OccasionEaster
Genreoratorio
Choirfour-part
Solo voicesoprano, alto, tenore, basso
Instrumentstimpani, tromba I, tromba II, tromba III, flauto traverso, flauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, fagotto, basso continuo
1st Performance01 April 1725
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 249a Entfliehet, verschwindet, entweichet, ihr Sorgen
Occasionbirthday celebrations for the duke Christian von Sachsen-Weißenfels
Genresecular cantata, dramma per musica
Choirsolo only
Solo voicesoprano (Doris), alto (Sylvia), tenore (Menalcas), basso (Damoetas)
Instrumentstromba I, tromba II, tromba III, timpani, flauto traverso, flauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo
1st Performance23 February 1725; no records available relating to the place of performance
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 249b Verjaget, zerstreuet, zerrüttet, ihr Sterne (lost)
Occasionbirthday celebrations for the count Joachim Friedrich von Flemming
Genresecular cantata, dramma per musica
Choirsolo only
Solo voicepossibly soprano (Melpomene), alto (Minerva), tenore (Genius), basso (Mercurius)
Instrumentsprobably: timpani, tromba I, tromba II, tromba III, flauto traverso, flauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, fagotto, basso continuo
1st Performance25 August 1726; no records available relating to the place of performance
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 416 Vater unser im Himmelreich
Occasionunspecified
Genrefour-part chorale
Choirfour-part
Solo voicenone (separate chorale)
Instrumentsno separate parts
1st Performanceunknown
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerGiovannini
TitleBWV 518 Willst du dein Herz mir schenken (part of the Notebook for Anna Magdalena Bach)
Occasion-
Genresecular aria
Choir-
Solo voicesoprano
Instrumentsbasso continuo
1st PerformanceSchmieder (1990) suggests the aria was written between 1725 and the early 40th
This recording-
Performers-
Album[this work is missing in the SDG series], disk [one disk only], track(s) -

ComposerJohann Sebastian Bach
TitleBWV 668 Vor deinen Thron tret ich hiermit
Occasionno record
Genrechorale
Choirfour-part
Solo voice-
Instruments-
1st Performance1750
This recordingLeipzig, Thomaskirche live recording, 22 October 2000
PerformersMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 159, disk 2, track(s) 20

Composer
TitleBWV 1044 Concerto Per Cembalo con Violino e Flauto obligati e con ripieno due Violini, Viola, Violoncello e Contrabasso
Occasion-
Genreconcerto
Choir-
Solo voice-
Instrumentsobligati: flauto traverso, violino, cembalo; ripieno: violino I, violino II, viola, violoncello, contrabasso
1st Performancethis arrangement: around 1738-1740 (refer to Schmieder 1990)
This recordingZürich, Fraumünster live recording, 8th or 9th July 2000
PerformersRachel Beckett, Malcolm Proud, Maya Homburger, English Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 165, disk 2, track(s) 18 19 20

ComposerJohann Sebastian Bach
TitleBWV 1046 Concerto I F-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentscorno da caccia I, corno da caccia II, oboe I, oboe II, oboe III, fagotto, violino piccolo, violino I, violino II, viola, violoncello, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingParis, Cité de la Musique live recording, 10th, 11th or 12th January 2009
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 707, disk 1, track(s) 1 2 3 4 5 6 7 8 9 10

ComposerJohann Sebastian Bach
TitleBWV 1047 Concerto II F-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentstromba (originally corno?) in F, flauto dolce in f e g, oboe, violino concertatо, violino I, violino II, viola, violoncello, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingParis, Cité de la Musique live recording, 10th, 11th or 12th January 2009
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 707, disk 1, track(s) 11 12 13

Composer
TitleBWV 1048 Concerto III G-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentsviolino I, violino II, violino III, viola I, viola II, viola III, violoncello I, violoncello II, violoncello III, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingParis, Cité de la Musique live recording, 10th, 11th or 12th January 2009
Performers
AlbumSDG 707, disk 1, track(s) 14 15 16

ComposerJohann Sebastian Bach
TitleBWV 1048 Concerto III G-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentsviolino I, violino II, violino III, viola I, viola II, viola III, violoncello I, violoncello II, violoncello III, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingBlythburgh, Holy Trinity church live recording, 13 Juny 2000
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 138, disk 1, track(s) 1 2 3

ComposerJohann Sebastian Bach
TitleBWV 1049 Concerto IV G-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentsflauto dolce I f e g, flauto dolce II f e g, violino principale, violino I, violino II, viola, violoncello, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingParis, Cité de la Musique live recording, 10th, 11th or 12th January 2009
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 707, disk 2, track(s) 1 2 3

ComposerJohann Sebastian Bach
TitleBWV 1050 Concerto V D-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentsflauto traverso, violino principale, cembalo concertato, violino, viola, violoncello, basso continuo
1st PerformanceKöthen, before 1721
This recordingLondon, Cadogan Hall live recording, 13th April 2009
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 707, disk 2, track(s) 4 5 6

ComposerJohann Sebastian Bach
TitleBWV 1051 Concerto VI B-dur
Occasionpossibly commissioned work
Genreconcerto
Choirorchestral work
Solo voiceorchestral work
Instrumentsviola concertato I, viola concertato II, viola da gamba concertato I, viola da gamba concertato II, violoncello, basso continuo per il cembalo
1st PerformanceKöthen, ca. 1718
This recordingParis, Cité de la Musique live recording, 10th, 11th or 12th January 2009
PerformersEnglish Baroque Soloists, Sir John Eliot Gardiner
AlbumSDG 707, disk 2, track(s) 7 8 9

ComposerJohann Sebastian Bach
TitleBWV 1127 Alles mit Gott und nichts ohn' ihn
Occasionbirthday of Wilhelm Ernst of Saxe-Weimar
Genrestrophic song with ritornello, strophic aria
Choirsolo only
Solo voicesoprano
Instrumentsviolino I, violino II, viola, violoncello obligato, basso continuo
1st PerformanceWeimar, 1713
This recording22 July 2005
PerformersElin Manahan Thomas, Katherine McGillivray, Alison Mc Gillivray, Silas John Standage, David Miller, Sir John Eliot Gardiner
AlbumSDG 114, disk [one disk only], track(s) 1