SDG Cantatafinder
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The Cantatafinder is a fan-made search tool and covers Johann Sebastian Bach’s surviving church cantatas recorded under the direction of Sir John Eliot Gardiner.
Author: Alexander Behrens Privacy Policy
In the calendar: Sexagesima BWV 18, 126, 181
Your query returned 153 results:
Composer | Johann Sebastian Bach |
Title | BWV 2 Ach Gott, vom Himmel sieh darein |
Occasion | 2nd Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | oboe I, oboe II, trombone I, trombone II, trombone III, trombone IV, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 18. June 1724 |
This recording | Paris, Basilique Saint-Denis live recording, 2nd or 3d July 2000 |
Performers | Monteverdi Choir, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 165, disk 2 (SDG 165), track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 3 Ach Gott, wie manches Herzeleid I |
Occasion | 2d Sunday after Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, trombone, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 14 January 1725 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 1, track(s) 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 4 Christ lag in Todesbanden |
Occasion | 1st Day of Easter |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | - (all parts are sung by choir in this recording) |
Instruments | cornetto, trombone I, trombone II, trombone III, violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Mühlhausen or Weimar 1707/08, re-performed in Leipzig 1724 and 1725 |
This recording | London, Аll Saints’ Church, November 1980 |
Performers | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | Erato, disk [one disk only], track(s) 1 2 3 4 5 6 7 8 |
Composer | Johann Sebastian Bach |
Title | BWV 4 Christ lag in Todesbanden |
Occasion | 1st Day of Easter |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | - (all parts are sung by choir in this recording) |
Instruments | cornetto, trombone I, trombone II, trombone III, violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Mühlhausen or Weimar 1707/08, re-performed in Leipzig 1724 and 1725 |
This recording | Eisenach, Georgenkirche live recording, 23 or 24 April 2000 |
Performers | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 128, disk 1, track(s) 1 2 3 4 5 6 7 8 |
Composer | Johann Sebastian Bach |
Title | BWV 5 Wo soll ich fliehen hin |
Occasion | 19th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba (B), oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 15 October 1724 |
This recording | Potsdam, Erlöserkirche live recording, 29 October 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 110, disk 1, track(s) 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 8 Liebster Gott, wenn werd ich sterben (E major) |
Occasion | 16th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 24 September 1724 (initial version in E major) |
This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 2, track(s) 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 9 Es ist das Heil uns kommen her |
Occasion | 6th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | violino I, violino II, viola, flauto traverso, oboe d'amore, basso continuo |
1st Performance | Leipzig, presumably between 1724 and 1735 |
This recording | Ansbach, St Gumbertus live recording, 30 July 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Michael Chance, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 156, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 12 Weinen, Klagen, Sorgen, Zagen |
Occasion | Jubilate |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | tromba, oboe, violino I, violino II, viola I, viola II, fagotto, basso continuo |
1st Performance | Weimar, 1714 (revised on 30 April 1724; this recording is based on the revised version; the second movement underlies BWV 232, Symbolum Nicenum, Credo, Chorus Cruzifixus |
This recording | Altenburg, Schlosskirche live recording,14 May 2000 |
Performers | Monteverdi Choir, William Towers, Mark Padmore, Julian Clarkson, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 107, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 13 Meine Seufzer, meine Tränen |
Occasion | 2d Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (limited to cantus firmus [alto, No. 3 ] and final chorale) |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto dolce I, flauto dolce II, oboe, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 January 1726 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 1, track(s) 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 14 Wär Gott nicht mit uns diese Zeit |
Occasion | 4th Sunday after Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 30 January 1735 |
This recording | Romsey, Romsey Abbey live recording, 30 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 2, track(s) 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 17 Wer Dank opfert, der preiset mich |
Occasion | 14th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 22 September 1726 |
This recording | Ambronay, Abbaye d'Ambronay live recording, 24 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 124, disk 1, track(s) 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 20 O Ewigkeit, du Donnerwort I |
Occasion | 1st Sunday after Trinity |
Genre | sacred cantata; chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | tromba da tirarsi (C), oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 11 June 1724 |
This recording | London, St. Giles Cripplegate live recording, 25 or 26 June 2000 |
Performers | Monteverdi Choir, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 101, disk 2, track(s) 22 23 24 25 26 27 28 29 30 31 32 |
Composer | Johann Sebastian Bach |
Title | BWV 21 Ich hatte viel Bekümmernis |
Occasion | 3rd Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | tromba I, tromba II, tromba III, timpani, trombone I, trombone II, trombone III, trombone IV, oboe, violino I, violino II, viola, basso continuo |
1st Performance | of this version: Weimar, 17 Junе 1714 |
This recording | Zürich, Fraumünster live recording, 8th or 9th July 2000 |
Performers | Monteverdi Choir, Katharine Fuge, (Robin Tyson - solo sections within the choral part), Vernon Kirk, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 165, disk 2 (SDG 165), track(s) 1 2 3 4 5 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 22 Jesus nahm zu sich die Zwölfe |
Occasion | Quinquagesima; application piece for the post as Thomaskantor |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe, violino I, violino II, viola, basso continuo |
1st Performance | 07 February 1723 |
This recording | Cambridge, King’s College Chapel live recording, 05 March 2000 |
Performers | Monteverdi Choir, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 118, disk 1, track(s) 1 2 3 4 5 |
Composer | Johann Sebastian Bach |
Title | BWV 23 Du wahrer Gott und Davids Sohn |
Occasion | Quinquagesima; along with BWV 22, this cantata is possibly Bach's second application piece for the post as Thomaskantor |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore |
Instruments | cornetto, tromba I, tromba II, tromba III, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Köthen 1723 or Leipzig 1724 |
This recording | Cambridge, King’s College Chapel live recording, 05 March 2000 |
Performers | Monteverdi Choir, Ruth Holton, Claudia Schubert, James Oxley, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 118, disk 1, track(s) 6 7 8 9 |
Composer | Johann Sebastian Bach |
Title | BWV 24 Ein ungefärbt Gemüte |
Occasion | 4th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | clarino, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 June 1723 |
This recording | Tewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000 |
Performers | Monteverdi Choir, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 141, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 25 Es ist nichts Gesundes an meinem Leibe |
Occasion | 14th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | cornetto, trombone I, trombone II, trombone III, flauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 29 August 1723 |
This recording | Ambronay, Abbaye d'Ambronay live recording, 24 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 124, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 26 Ach wie flüchtig, ach wie nichtig |
Occasion | 24th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 19 November 1724 |
This recording | Romsey, Romsey Abbey live recording, 30 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 27 Wer weiß, wie nahe mir mein Ende |
Occasion | 16th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 October 1726 |
This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 28 Gottlob! nun geht das Jahr zu Ende |
Occasion | 1st Sunday after Christmas |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | cornetto, trombone I, trombone II, trombone III, oboe I, oboe II, taille, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 30 December 1725 |
This recording | New York, St. Bartholomew’s live recording, 31 December 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 137, disk [one disk only], track(s) 14 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 31 Der Himmel lacht! die Erde jubilieret |
Occasion | 1st Day of Easter |
Genre | sacred cantata |
Choir | five-part (divided soprano) |
Solo voice | soprano, tenore, basso |
Instruments | tromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe da caccia, violino I, violino II, viola I, viola II, violoncello I, violoncello II, basso continuo |
1st Performance | Weimar, 21 April 1715 |
This recording | Eisenach, Georgenkirche live recording, 23 or 24 April 2000 |
Performers | Monteverdi Choir, Gillian Keith, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 128, disk 1, track(s) 9 10 11 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 32 Liebster Jesu, mein Verlangen |
Occasion | 1st Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, basso |
Instruments | oboe, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 13 January 1726 |
This recording | Hamburg, St. Jacobi live recording, 9 January 2000 |
Performers | Claron McFadden, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 174, disk 2, track(s) 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 33 Allein zu dir, Herr Jesu Christ |
Occasion | 13th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 03 September 1724 |
This recording | Frankfurt, Dreikönigskirche live recording, 17 September 2000 |
Performers | Monteverdi Choir, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 2, track(s) 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded in London in 1999) |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | of the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746 |
This recording | London, St. John's, April 1999 |
Performers | Monteverdi Choir, Bernarda Fink, Steve Davislim, Christopher Foster, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 20 21 22 23 24 |
Composer | Johann Sebastian Bach |
Title | BWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded live in Long Melford in 2000) |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | of the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746 |
This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
Performers | Monteverdi Choir, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 121, disk 1, track(s) 21 22 23 24 25 |
Composer | Johann Sebastian Bach |
Title | BWV 35 Geist und Seele wird verwirret |
Occasion | 12th Sunday after Trinity |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | alto |
Instruments | oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 08 September 1726 |
This recording | Köthen, Jakobskirche live recording, 10 September 2000 |
Performers | Robin Tyson, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 1, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 36 Schwingt freudig euch empor |
Occasion | First Sunday in Advent |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 02 December 1731 (final version) |
This recording | London, Blackheath Concert Halls, January 1992 |
Performers | Monteverdi Choir, Nancy Argenta, Petra Lang, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 7 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 36 Schwingt freudig euch empor |
Occasion | First Sunday in Advent |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 02 December 1731 (final version) |
This recording | Cologne, St. Maria im Kapitol live recording, 03 December 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 162, disk 1, track(s) 13 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 38 Aus tiefer Not schrei ich zu dir |
Occasion | 21st Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, trombone I, trombone II, trombone III, trombone IV, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 29 October 1724 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 39 Brich dem Hungrigen dein Brot |
Occasion | 1st Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, basso |
Instruments | flauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 23 June 1726 |
This recording | London, St. Giles Cripplegate live recording, 25 or 26 June 2000 |
Performers | Monteverdi Choir, Gillian Keith, Wilke te Brummelstroete, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 101, disk 2, track(s) 15 16 17 18 19 20 21 |
Composer | Johann Sebastian Bach |
Title | BWV 42 Am Abend aber desselbigen Sabbats |
Occasion | Quasimodogeniti |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Leipzig, 08 April 1725 |
This recording | Arnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000 |
Performers | Monteverdi Choir, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 131, disk 1, track(s) 15 16 17 18 19 20 21 |
Composer | Johann Sebastian Bach |
Title | BWV 45 Es ist dir gesagt, Mensch, was gut ist |
Occasion | 8th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 11 August 1726 |
This recording | Rendsburg, Christkirche, 13 August 2000 |
Performers | Monteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 1, track(s) 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 46 Schauet doch und sehet, ob irgendein Schmerz sei |
Occasion | 10th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | clarino? (some sources say tromba, other corno da tirarsi), flauto dolce I, flauto dolce II (some sources say flauto traverso instead), oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 01 August 1723 |
This recording | Braunschweig, Braunschweig Cathedral, 27 August 2000 |
Performers | Monteverdi Choir, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 47 Wer sich selbst erhöhet, der soll erniedriget werden |
Occasion | 17th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, basso |
Instruments | oboe I, oboe II, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 13 October 1726 |
This recording | Lund, Allhelgonakyrkan live recording, 14 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Stephen Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 1, track(s) 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 48 Ich elender Mensch, wer wird mich erlösen |
Occasion | 19th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore |
Instruments | tromba, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 03 October 1723 |
This recording | Potsdam, Erlöserkirche live recording, 29 October 2000 |
Performers | Monteverdi Choir, William Towers, James Gilchrist, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 110, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 49 Ich geh und suche mit Verlangen |
Occasion | 20th Sunday after Trinity |
Genre | sacred cantata |
Choir | solo only |
Solo voice | soprano, basso |
Instruments | oboe d'amore, violoncello piccolo, violino I, violino II, viola, organo obligato, basso continuo |
1st Performance | Leipzig, 03 November 1726 |
This recording | Genoa, Cattedrale di San Lorenzo live recording, 4th November 2000 |
Performers | Monteverdi Choir, Magdalena Kožená, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 1, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 51 Jauchzet Gott in allen Landen |
Occasion | 15th Sunday after Trinity et per ogni tempo |
Genre | sacred cantata, solo motet, solo cantata |
Choir | solo only |
Solo voice | soprano |
Instruments | tromba (C), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 17 September 1730 |
This recording | Bremen, Unser Lieben Frauen live recording, 28 September 2000 |
Performers | Malin Hartelius, Niklas Eklund, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 1, track(s) 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 51 Jauchzet Gott in allen Landen |
Occasion | 15th Sunday after Trinity et per ogni tempo |
Genre | sacred cantata, solo motet, solo cantata |
Choir | solo only |
Solo voice | soprano |
Instruments | tromba (C), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 17 September 1730 |
This recording | London, November 1983 |
Performers | Emma Kirkby, Crispian Steele-Perkins, English Baroque Soloists, Sir John Eliot Gardiner |
Album | DG (nur Teil eines 22-CD-Schubers), disk [one disk only], track(s) 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 52 Falsche Welt, dir trau ich nicht! |
Occasion | 23d Sunday after Trinity |
Genre | sacred cantata (the opening sinfonia is based on the first movement of the BWV 1046 Brandenburg Concerto No. 1 |
Choir | four-part (final chorale only) |
Solo voice | soprano |
Instruments | corno I, corno II, oboe I, oboe II, oboe III, violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Leipzig, 24 November 1726 |
This recording | Winchester, Winchester Cathedral live recording, 26 November 2000 |
Performers | Gillian Keith, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 2, track(s) 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 54 Widerstehe doch der Sünde |
Occasion | Oculi |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | alto |
Instruments | violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 1714 |
This recording | Walpole St Peter's Church (Norfolk) live recording, 26 March 2000 |
Performers | Nathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 118, disk 2, track(s) 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 54 Widerstehe doch der Sünde (No. 1 only) |
Occasion | Oculi |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | alto |
Instruments | violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 1714 |
This recording | Walpole St Peter's Church (Norfolk) live recording, 23 March 2000 |
Performers | Nathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 114, disk [one disk only], track(s) 4 |
Composer | Johann Sebastian Bach |
Title | BWV 55 Ich armer Mensch, ich Sündenknecht |
Occasion | 22d Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | tenore |
Instruments | flauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 17 November 1726 |
This recording | London, Tooting, All Saints live recording, 17 November 2000 |
Performers | James Gilchrist, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 1, track(s) 1 2 3 4 5 |
Composer | Johann Sebastian Bach |
Title | BWV 56 Ich will den Kreuzstab gerne tragen |
Occasion | 19th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | basso |
Instruments | oboe I, oboe II, oboe da caccia (taille), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 27 October 1726 |
This recording | Potsdam, Erlöserkirche live recording, 29 October 2000 |
Performers | Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 110, disk 1, track(s) 20 21 22 23 24 |
Composer | Johann Sebastian Bach |
Title | BWV 58 Ach Gott, wie manches Herzeleid II |
Occasion | Sunday after New Year's Day |
Genre | sacred cantata |
Choir | solo only |
Solo voice | soprano, basso |
Instruments | oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 05 January 1727 |
This recording | Berlin, Gethsemanekirche, 2 January 2000 |
Performers | Ruth Holton, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 150, disk 2, track(s) 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 59 Wer mich liebet, der wird mein Wort halten I |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part (limited to chorale No. 3 / No. 5) |
Solo voice | soprano basso |
Instruments | tromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 28 May 1724 |
This recording | London, St. John's, April 1999 |
Performers | Monteverdi Choir, Magdalena Kožena, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 59 Wer mich liebet, der wird mein Wort halten I |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part (limited to chorale No. 3 / No. 5) |
Solo voice | soprano basso |
Instruments | tromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 28 May 1724 |
This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
Performers | Monteverdi Choir, Lisa Larsson, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 121, disk 1, track(s) 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 60 O Ewigkeit, du Donnerwort II |
Occasion | 24th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part (final chorale only) |
Solo voice | alto, tenore, basso |
Instruments | corno, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | probably Leipzig, 07 November 1723 |
This recording | London, Tooting, All Saints live recording, 17 November 2000 |
Performers | Robin Tyson, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 1, track(s) 18 19 20 21 22 |
Composer | Johann Sebastian Bach |
Title | BWV 61 Nun komm, der Heiden Heiland I |
Occasion | First Sunday in Advent |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 02 December 1714 |
This recording | London, Blackheath Concert Halls, January 1992 |
Performers | Monteverdi Choir, Nancy Argenta, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 61 Nun komm, der Heiden Heiland I |
Occasion | First Sunday in Advent |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 02 December 1714 |
This recording | Cologne, St. Maria im Kapitol live recording, 03 December 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 162, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 62 Nun komm, der Heiden Heiland II |
Occasion | First Sunday in Advent |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 03 December 1724 |
This recording | London, Blackheath Concert Halls, January 1992 |
Performers | Monteverdi Choir, Nancy Argenta, Petra Lang, Anthony Rolfe-Johnson, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 62 Nun komm, der Heiden Heiland II |
Occasion | First Sunday in Advent |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 03 December 1724 |
This recording | Cologne, St. Maria im Kapitol live recording, 03 December 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 162, disk 1, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 65 Sie werden aus Saba alle kommen |
Occasion | Feast of Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | tenore, basso |
Instruments | corno I, corno II, flauto traverso I, traverso II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 January 1724 |
This recording | Leipzig, Nikolaikirche live recording, 6 January 2000 |
Performers | James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 174, disk 1, track(s) 11 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 67 Halt im Gedächtnis Jesum Christ |
Occasion | Quasimodogeniti |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | corno da tirarsi, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 16 April 1724 |
This recording | Arnstadt, Johann-Sebastian-Bach-Kirche live recording, 29 or 30 April 2000 |
Performers | Monteverdi Choir, Daniel Taylor, Charles Daniels, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 131, disk 1, track(s) 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 69a Lobe den Herrn, meine Seele I |
Occasion | 12th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I, tromba II, tromba III, timpani, oboe I, oboe II, oboe III, oboe d'amore, fagotto obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 1723 |
This recording | Köthen, Jakobskirche live recording, 10 September 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 70 Wachet! betet! betet! wachet! |
Occasion | 26th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba (clarino?), oboe, fagotto (obligato?), violoncello (obligato?), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 21 November 1723 (final version); original version: Weimar, 1716 |
This recording | Lüneburg, Michaeliskirche live recording, 10 December 2000 |
Performers | Monteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 162, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 72 Alles nur nach Gottes Willen |
Occasion | 3d Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 27 January 1726 |
This recording | Milan, Chiesa di San Marco, between 22 and 24 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Sara Mingardo, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 |
Composer | Johann Sebastian Bach |
Title | BWV 73 Herr, wie du willt, so schick's mit mir |
Occasion | 3d Sunday after Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno ossia, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 23 January 1724 |
This recording | Milan, Chiesa di San Marco, between 22 and 24 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 6 7 8 9 10 |
Composer | Johann Sebastian Bach |
Title | BWV 74 Wer mich liebet, der wird mein Wort halten II |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 May 1725 |
This recording | London, St. John's, April 1999 |
Performers | Monteverdi Choir, Magdalena Kožena, Robin Blaze, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 12 13 14 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 74 Wer mich liebet, der wird mein Wort halten II |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 May 1725 |
This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
Performers | Monteverdi Choir, Lisa Larsson, Derek Lee Ragin, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 121, disk 1, track(s) 13 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 75 Die Elenden sollen essen |
Occasion | 1st Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba (C and G), oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 30 May 1723 |
This recording | London, St. Giles Cripplegate live recording, 25 or 26 June 2000 |
Performers | Monteverdi Choir, Gillian Keith, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 101, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 76 Die Himmel erzählen die Ehre Gottes |
Occasion | 2nd Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba, oboe I, oboe II, oboe d'amore, viola da gamba, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 June 1723 |
This recording | Paris, Basilique Saint-Denis live recording, 2nd or 3d July 2000 |
Performers | Monteverdi Choir, Lisa Larsson, Daniel Taylor, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 165, disk 2 (SDG 165), track(s) 15 16 17 18 19 20 21 22 23 24 25 26 27 28 |
Composer | Johann Sebastian Bach |
Title | BWV 77 Du sollt Gott, deinen Herren, lieben |
Occasion | 13th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba da tirarsi, no details on instrumentation (Werner Neumann: oboe I, oboe II, violino I, violino II, viola, basso continuo) |
1st Performance | Leipzig, 22 August 1723 |
This recording | Frankfurt, Dreikönigskirche live recording, 17 September 2000 |
Performers | Monteverdi Choir, Gillian Keith, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 78 Jesu, der du meine Seele |
Occasion | 14th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 10 September 1724 |
This recording | Ambronay, Abbaye d'Ambronay live recording, 24 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 124, disk 1, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 78 Jesu, der du meine Seele (No. 2 only) |
Occasion | 14th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 10 September 1724 |
This recording | Ambronay, Abbaye d'Ambronay live recording, 24 September 2000 |
Performers | Malin Hartelius, Robin Tyson, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 114, disk [one disk only], track(s) 7 |
Composer | Johann Sebastian Bach |
Title | BWV 81 Jesus schläft, was soll ich hoffen? |
Occasion | 4th Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | alto, tenore, basso |
Instruments | flauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 30 January 1724 |
This recording | Romsey, Romsey Abbey live recording,30 January 2000 |
Performers | Monteverdi Choir, William Towers, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 2, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 84 Ich bin vergnügt mit meinem Glücke |
Occasion | Septuagesimae |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano |
Instruments | oboe, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 09 February 1727 |
This recording | Naarden, Grote Kerk, live recording, 20 February 2000 |
Performers | Monteverdi Choir, Miah Persson, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 153, disk 1, track(s) 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 85 Ich bin ein guter Hirt |
Occasion | Misericordias Domini |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, violoncello piccolo, basso continuo |
1st Performance | Leipzig, 15 April 1725 |
This recording | Echternach, St. Willibrord live recording, 29 or 07 May 2000 |
Performers | Monteverdi Choir, Katharine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 131, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 86 Wahrlich, wahrlich, ich sage euch |
Occasion | Rogate |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 14 May 1724 |
This recording | Dresden, Annenkirche live recording, 27 or 28 May 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Steve Davislim, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 144, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 87 Bisher habt ihr nichts gebeten in meinem Namen |
Occasion | Rogate |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | alto, tenore, basso |
Instruments | oboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 May 1725 |
This recording | Dresden, Annenkirche live recording, 27 or 28 May 2000 |
Performers | Monteverdi Choir, Robin Tyson, Steve Davislim, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 144, disk 1, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 88 Siehe, ich will viel Fischer aussenden |
Occasion | 5th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno I, corno II, oboe d'amore I, oboe d'amore I, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 21 July 1726 |
This recording | Mühlhausen, Blasiuskirche live recording, 23 July 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 141, disk 2, track(s) 13 14 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 89 Was soll ich aus dir machen, Ephraim |
Occasion | 22d Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, basso |
Instruments | corne du chasse, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 24 October 1723 |
This recording | London, Tooting, All Saints live recording, 17 November 2000 |
Performers | Joanne Lunn, Robin Tyson, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 1, track(s) 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 90 Es reißet euch ein schrecklich Ende |
Occasion | 25th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | alto, tenore, basso |
Instruments | tromba (clarino?), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 14 November 1723 |
This recording | Potsdam, Erlöserkirche live recording, 29 October 2000 |
Performers | Monteverdi Choir, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 110, disk 1, track(s) 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 92 Ich hab in Gottes Herz und Sinn |
Occasion | Septuagesimae |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 28 January 1725 |
This recording | Naarden, Grote Kerk, live recording, 20 February 2000 |
Performers | Monteverdi Choir, Miah Persson, Wilke te Brummelstroete, James Oxley, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 153, disk 1, track(s) 12 13 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 93 Wer nur den lieben Gott läßt walten |
Occasion | 5th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 09 July 1724 |
This recording | Mühlhausen, Blasiuskirche live recording, 23 July 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 141, disk 2, track(s) 6 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 94 Was frag ich nach der Welt |
Occasion | 9th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 August 1724 |
This recording | Merano, Il duomo di S. Nicolò live recording, August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 6 7 8 |
Composer | Johann Sebastian Bach |
Title | BWV 95 Christus, der ist mein Leben |
Occasion | 16th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno / cornetto (literally 'cornio'), oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 12 September 1723 |
This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 2, track(s) 19 20 21 22 23 24 25 |
Composer | Johann Sebastian Bach |
Title | BWV 96 Herr Christ, der einge Gottessohn |
Occasion | 18th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, trombone, flauto traverso, flauto dolce piccolo, oboe I, oboe II, "Terzgeige", violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 08 October 1724 |
This recording | Leipzig, Thomaskirche live recording, 22 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Nathalie Stutzmann, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 98 Was Gott tut, das ist wohlgetan I |
Occasion | 21st Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, taille / oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 10 November 1726 |
This recording | London, St. Giles Cripplegate, December 1998 |
Performers | Monteverdi Choir, Katharine Fuge, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 |
Composer | Johann Sebastian Bach |
Title | BWV 98 Was Gott tut, das ist wohlgetan I |
Occasion | 21st Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, taille / oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 10 November 1726 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 2, track(s) 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 99 Was Gott tut, das ist wohlgetan II |
Occasion | 15th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 17 September 1724 |
This recording | Bremen, Unser Lieben Frauen live recording, 28 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 1, track(s) 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 100 Was Gott tut, das ist wohlgetan III |
Occasion | 15th Sunday after Trinity, 21st Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno 1, corno II (G), timpani, flauto traverso, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 1734 (third version) |
This recording | Bremen, Unser Lieben Frauen live recording, 28 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 1, track(s) 19 20 21 22 23 24 |
Composer | Johann Sebastian Bach |
Title | BWV 101 Nimm von uns Herr, du treuer Gott |
Occasion | 10th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | cornetto (some sources say corno), trombone I, trombone II, trombone III, flauto traverso (divided?), (?oboe I, oboe II?), oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 13 August 1724 |
This recording | Braunschweig, Braunschweig Cathedral, 27 August 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 2, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 102 Herr, deine Augen sehen nach dem Glauben |
Occasion | 10th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | flauto traverso (alternatively: "Terzgeige"), oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 25 August 1726 |
This recording | Braunschweig, Braunschweig Cathedral, 27 August 2000 |
Performers | Monteverdi Choir, Daniel Taylor, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 2, track(s) 14 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 103 Ihr werdet weinen und heulen |
Occasion | Jubilate |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore |
Instruments | tromba, flauto traverso, flauto dolce (piccolo), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 22 April 1725 |
This recording | Altenburg, Schlosskirche live recording,14 May 2000 |
Performers | Monteverdi Choir, William Towers, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 107, disk 1, track(s) 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 104 Du Hirte Israel, höre |
Occasion | Misericordias Domini |
Genre | sacred cantata |
Choir | four-part |
Solo voice | tenore, basso |
Instruments | oboe I, oboe II, taille (oboe da caccia), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 23 April 1724 |
This recording | Echternach, St. Willibrord live recording, 29 or 07 May 2000 |
Performers | Monteverdi Choir, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 131, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 105 Herr, gehe nicht ins Gericht mit deinem Knecht |
Occasion | 9th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno (C), oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 25 July 1723 |
This recording | Merano, Il duomo di S. Nicolò live recording, August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 15 16 17 18 19 20 |
Composer | Johann Sebastian Bach |
Title | BWV 107 Was willst du dich betrüben |
Occasion | 7th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno, flauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 23 July 1724 |
This recording | Haddington, St Mary’s live recording, 5 or 6 August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Kobie van Rensburg, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 156, disk 2, track(s) 12 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 108 Es ist euch gut, dass ich hingehe |
Occasion | Cantate |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 29 April 1725 |
This recording | Warwick, St. Mary’s live recording, 21 May 2000 |
Performers | Monteverdi Choir, Robin Tyson, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 107, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben! |
Occasion | 21st Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore |
Instruments | corno da caccia, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 17 October 1723 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000 |
Performers | Monteverdi Choir, William Towers, Paul Agnew, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 111 Was mein Gott will, das g'scheh allzeit |
Occasion | 3d Sunday after Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 21 January 1725 |
This recording | Milan, Chiesa di San Marco, between 22 and 24 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Sara Mingardo, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 11 12 13 14 15 16 |
Composer | Johann Sebastian Bach |
Title | BWV 112 Der Herr ist mein getreuer Hirt |
Occasion | Misericordias Domini |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno I, corno II (obligato), oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 08 April 1731 |
This recording | Echternach, St. Willibrord live recording, 29 or 07 May 2000 |
Performers | Monteverdi Choir, Katharine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 131, disk 2, track(s) 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 113 Herr Jesu Christ, du höchstes Gut (Audio) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 August 1724 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, William Towers, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 15 16 17 18 19 20 21 22 |
Composer | Johann Sebastian Bach |
Title | BWV 113 Herr Jesu Christ, du höchstes Gut (Video) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 August 1724 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, William Towers, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | OpusArte, disk [one disk only], track(s) 15 16 17 18 19 20 21 22 |
Composer | Johann Sebastian Bach |
Title | BWV 114 Ach, lieben Christen, seid getrost |
Occasion | 17th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 01 October 1724 |
This recording | Lund, Allhelgonakyrkan live recording, 14 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Charles Humphries, Mark Padmore, Stephen Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 1, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 115 Mache dich, mein Geist, bereit |
Occasion | 22d Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, flauto traverso, oboe d'amore, violoncello piccolo, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 05 November 1724 |
This recording | London, Tooting, All Saints live recording, 17 November 2000 |
Performers | Joanne Lunn, Robin Tyson, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 1, track(s) 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 116 Du Friedefürst, Herr Jesu Christ |
Occasion | 25th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 26 November 1724 |
This recording | Leipzig, Thomaskirche live recording, 22 October 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Nathalie Stutzmann, Christoph Genz, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 2, track(s) 14 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 122 Das neugeborne Kindelein |
Occasion | 1st Sunday after Christmas |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto dolce I, flauto dolce II, flauto dolce III, oboe I, oboe II, taille (oboe III), violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 31 December 1724 |
This recording | New York, St. Bartholomew’s live recording, 31 December 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 137, disk [one disk only], track(s) 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 123 Liebster Immanuel, Herzog der Frommen |
Occasion | Feast of Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | flauto traverso I, flauto traverso II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 January 1725 |
This recording | Leipzig, Nikolaikirche live recording, 6 January 2000 |
Performers | Sally Bruce-Payne, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 174, disk 1, track(s) 18 19 20 21 22 23 |
Composer | Johann Sebastian Bach |
Title | BWV 124 Meinen Jesum laß ich nicht |
Occasion | 1st Sunday after Epiphany |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 07 January 1725 |
This recording | Hamburg, St. Jacobi live recording, 9 January 2000 |
Performers | Claron McFadden, Michael Chance, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 174, disk 2, track(s) 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 127 Herr Jesu Christ, wahr' Mensch und Gott |
Occasion | Quinquagesima |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | tromba, flauto dolce I, flauto dolce II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 11 February 1725 |
This recording | Cambridge, King’s College Chapel live recording, 05 March 2000 |
Performers | Monteverdi Choir, Ruth Holton, James Oxley, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 118, disk 1, track(s) 10 11 12 13 14 20 |
Composer | Johann Sebastian Bach |
Title | BWV 129 Gelobet sei der Herr, mein Gott |
Occasion | Trinity Sunday |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, basso |
Instruments | tromba I, tromba II, tromba III, timpani, flauto traverso, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 16 June 1726 or 08 June 1727 (several re-performances) |
This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 138, disk 2, track(s) 19 20 21 22 23 |
Composer | Johann Sebastian Bach |
Title | BWV 132 Bereitet die Wege, bereitet die Bahn! |
Occasion | 4th Sunday in Advent |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe, fagotto, violoncello, violino I, violino II, viola, basso continuo |
1st Performance | Weimar, 1715 |
This recording | Lüneburg, Michaeliskirche live recording, 10 December 2000 |
Performers | Monteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 162, disk 2, track(s) 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 135 Ach Herr, mich armen Sünder |
Occasion | 3rd Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | cornetto, trombone, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 25 June 1724 |
This recording | Zürich, Fraumünster live recording, 8th or 9th July 2000 |
Performers | Monteverdi Choir, Robin Tyson, Vernon Kirk, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 165, disk 2 (SDG 165), track(s) 12 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 136 Erforsche mich, Gott, und erfahre mein Herz |
Occasion | 8th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | corno, oboe, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 18 July 1723 |
This recording | Rendsburg, Christkirche, 13 August 2000 |
Performers | Monteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 1, track(s) 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 137 Lobe den Herren, den mächtigen König der Ehren |
Occasion | 12th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I, tromba II, tromba III, timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | probably Leipzig, 19 August 1725, re-performed in Leipzig, between 1744 and 49 |
This recording | Köthen, Jakobskirche live recording, 10 September 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 1, track(s) 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 138 Warum betrübst du dich, mein Herz? |
Occasion | 15th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 05 September 1723 |
This recording | Bremen, Unser Lieben Frauen live recording, 28 September 2000 |
Performers | Monteverdi Choir, Malin Hartelius, William Towers, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 139 Wohl dem, der sich auf seinen Gott |
Occasion | 23d Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 12 November 1724 |
This recording | London, St. Giles Cripplegate, December 1998 |
Performers | Monteverdi Choir, Katharine Fuge, Derek Lee Ragin, Julian Podger, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 139 Wohl dem, der sich auf seinen Gott |
Occasion | 23d Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 12 November 1724 |
This recording | Winchester, Winchester Cathedral live recording, 26 November 2000 |
Performers | Gillian Keith, Hilary Summers, William Kendall, Peter HarveyMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 140 Wachet auf, ruft uns die Stimme |
Occasion | 27th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno, oboe I, oboe II, oboe da caccia / taille, violino piccolo / Terzgeige, violino I, violino II, viola, basso continuo (+ organo, fagotto) |
1st Performance | Leipzig, 25 November 1731 |
This recording | Fontmell Magna, St. Andrew’s Church, March 1990 |
Performers | Monteverdi Choir, Ruth Holton, Anthony Rolfe-Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 140 Wachet auf, ruft uns die Stimme |
Occasion | 27th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | corno, oboe I, oboe II, oboe da caccia / taille, violino piccolo / Terzgeige, violino I, violino II, viola, basso continuo (+ organo, fagotto) |
1st Performance | 25 November 1731 |
This recording | Winchester, Winchester Cathedral live recording, 26 November 2000 |
Performers | Susan Hamilton, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 2, track(s) 19 20 21 22 23 24 25 |
Composer | Georg Philipp Telemann |
Title | BWV 141 Das ist je gewisslich wahr |
Occasion | Third Sunday in Advent |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | 1721 or 1722 |
This recording | - |
Performers | - |
Album | [this work is missing in the SDG series], disk [one disk only], track(s) - |
Composer | Johann Sebastian Bach |
Title | BWV 144 Nimm, was dein ist, und gehe hin |
Occasion | Septuagesimae |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore |
Instruments | oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 07 February 1724 |
This recording | Naarden, Grote Kerk, live recording, 20 February 2000 |
Performers | Monteverdi Choir, Miah Persson, Wilke te Brummelstroete, James Oxley, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 153, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 146 Wir müssen durch viel Trübsal in das Reich Gottes eingehen |
Occasion | Jubilate |
Genre | sacred cantata; the first two movements are based on the lost D minor violin concerto BWV 1052 dating back to the Weimar period |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, oboe I, oboe II, oboe da caccia, oboe d'amore I, oboe d'amore II, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 1726 or 1728 |
This recording | Altenburg, Schlosskirche live recording,14 May 2000 |
Performers | Monteverdi Choir, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 107, disk 1, track(s) 14 15 16 17 18 19 20 21 |
Composer | Johann Sebastian Bach |
Title | BWV 148 Bringet dem Herrn Ehre seines Namens |
Occasion | 17th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore |
Instruments | tromba? / clarino?, oboe I, oboe II, oboe III, violino I, violino II, viola, basso continuo |
1st Performance | possibly Leipzig, 19 September 1723 |
This recording | Lund, Allhelgonakyrkan live recording, 14 October 2000 |
Performers | Monteverdi Choir, Frances Bourne, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 152 Tritt auf die Glaubensbahn |
Occasion | 1st Sunday after Christmas |
Genre | sacred cantata |
Choir | solo only |
Solo voice | soprano, basso |
Instruments | flauto dolce, oboe, viola d'amore, viola da gamba, basso continuo (con cembalo) |
1st Performance | Weimar, 30 December 1714 |
This recording | New York, St. Bartholomew’s live recording, 31 December 2000 |
Performers | Gillian Keith, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 137, disk [one disk only], track(s) 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 154 Mein liebster Jesus ist verloren |
Occasion | 1st Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (No. 3 and 8 chorales only) |
Solo voice | alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 09 January 1724 |
This recording | Hamburg, St. Jacobi live recording, 9 January 2000 |
Performers | Michael Chance, James Gilchrist, Peter Harvey, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 174, disk 2, track(s) 1 2 3 4 5 6 7 8 |
Composer | Johann Sebastian Bach |
Title | BWV 155 Mein Gott, wie lang, ach lange? (revised version 1724) |
Occasion | 2d Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Weimar, 19 January 1716; revised version used in this recording: Leipzig, 16 January 1724 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000 |
Performers | Monteverdi Choir, Joanne Lunn, Richard Wyn Roberts Julian Podger, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 115, disk 1, track(s) 1 2 3 4 5 |
Composer | Johann Sebastian Bach |
Title | BWV 155 Mein Gott, wie lang, ach lange? (revised version 1724, No. 4 only) |
Occasion | 2d Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Weimar, 19 January 1716; revised version used in this recording: Leipzig, 16 January 1724 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 16 or 17 January 2000 |
Performers | Joanne Lunn, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 114, disk [one disk only], track(s) 6 |
Composer | Johann Sebastian Bach |
Title | BWV 156 Ich steh mit einem Fuß im Grabe |
Occasion | 3d Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part (limited to cantus firmus [soprano, No. 2] and final chorale) |
Solo voice | alto, tenore, basso |
Instruments | oboe, violino I, violino II, viola, basso continuo |
1st Performance | probably Leipzig, 23 January 1729 |
This recording | Milan, Chiesa di San Marco, between 22 and 24 January 2000 |
Performers | Monteverdi Choir, Sara Mingardo, Julian Podger, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 17 18 19 20 21 22 |
Composer | Johann Sebastian Bach |
Title | BWV 159 Sehet! Wir gehn hinauf gen Jerusalem |
Occasion | Quinquagesima |
Genre | sacred cantata |
Choir | four-part (limited to cantus firmus [soprano, No. 2] and final chorale) |
Solo voice | alto, tenore, basso |
Instruments | oboe, violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Leipzig, 1729, possibly 27 February |
This recording | Cambridge, King’s College Chapel live recording, 05 March 2000 |
Performers | Monteverdi Choir, Claudia Schubert, James Oxley, Peter Harvey, English Baroque Soloists, Xenia Löffler, Sir John Eliot Gardiner |
Album | SDG 118, disk 1, track(s) 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 159 Sehet! Wir gehn hinauf gen Jerusalem (Nos. 4 and 5 only) |
Occasion | Quinquagesima |
Genre | sacred cantata |
Choir | four-part (limited to cantus firmus [soprano, No. 2] and final chorale) |
Solo voice | alto, tenore, basso |
Instruments | oboe, violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Leipzig, 1729, possibly 27 February |
This recording | Cambridge, King’s College Chapel live recording, 05 March 2000 |
Performers | Monteverdi Choir, Peter Harvey, English Baroque Soloists, Xenia Löffler, Sir John Eliot Gardiner |
Album | SDG 114, disk [one disk only], track(s) 10 |
Composer | Johann Sebastian Bach |
Title | BWV 161 Komm, du süße Todesstunde |
Occasion | Purification of Mary and 16th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore |
Instruments | flauto dolce I, flauto dolce II, violino I, violino II, viola, basso continuo |
1st Performance | Weimar, 06 October 1715 |
This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
Performers | Monteverdi Choir, Robin Tyson, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 104, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 162 Ach, ich sehe, itzt, da ich zur Hochzeit gehe |
Occasion | 20th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | corno da tirarsi; violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Weimar, 03 November 1715 |
This recording | Genoa, Cattedrale di San Lorenzo live recording, 4th November 2000 |
Performers | Monteverdi Choir, Magdalena Kožená, Sara Mingardo, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 1, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 163 Nur jedem das Seine! |
Occasion | 23d Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore, violino I, violino II, viola, basso continuo |
1st Performance | Weimar, 24 November 1715 |
This recording | Winchester, Winchester Cathedral live recording, 26 November 2000 |
Performers | Susan Hamilton, Hilary Summers, William Kendall, Peter HarveyMonteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 171, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 164 Ihr, die ihr euch von Christo nennet |
Occasion | 13th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 26 August 1725; some parts are suggested to date back to 1715 |
This recording | Frankfurt, Dreikönigskirche live recording, 17 September 2000 |
Performers | Monteverdi Choir, Gillian Keith, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 134, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 165 O heilges Geist- und Wasserbad |
Occasion | Trinity Sunday |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | violino I, violino II, viola, basso continuo (+ fagotto) |
1st Performance | Weimar, 16 June 1715 |
This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 138, disk 2, track(s) 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 166 Wo gehest du hin? |
Occasion | Cantate |
Genre | sacred cantata |
Choir | four-part (limited to cantus firmus [soprano, No. 3] and final chorale) |
Solo voice | alto, tenore, basso |
Instruments | oboe, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 07 Mai 1724 |
This recording | Warwick, St. Mary’s live recording, 21 May 2000 |
Performers | Monteverdi Choir, Robin Tyson, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 107, disk 2, track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 168 Tue Rechnung! Donnerwort |
Occasion | 9th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably 29 July 1725 |
This recording | Merano, Il duomo di S. Nicolò live recording, August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Daniel Taylor, James Gilchrist, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 169 Gott soll allein mein Herze haben |
Occasion | 18th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | alto |
Instruments | oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 20 October 1726 |
This recording | Leipzig, Thomaskirche live recording, 22 October 2000 |
Performers | Monteverdi Choir, Nathalie Stutzmann, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 159, disk 2, track(s) 7 8 9 10 11 12 13 |
Composer | Johann Sebastian Bach |
Title | BWV 170 Vergnügte Ruh, beliebte Seelenlust |
Occasion | 6th Sunday after Trinity |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | alto |
Instruments | oboe d'amore, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 28 July 1726 |
This recording | Ansbach, St Gumbertus live recording, 30 July 2000 |
Performers | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 156, disk 1, track(s) 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Weimar, 20 May 1714 |
This recording | London, St. John's, April 1999 |
Performers | Monteverdi Choir, Martina Jankova, Robin Blaze, Christoph Genz, Reinhard Hagen, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten |
Occasion | 1st Day of Whitsun |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Weimar, 20 May 1714 |
This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
Performers | Monteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 121, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 176 Es ist ein trotzig und verzagt Ding |
Occasion | Trinity Sunday |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, basso |
Instruments | oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 27 May 1725 |
This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 138, disk 2, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 177 Ich ruf zu dir, Herr Jesu Christ |
Occasion | 4th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore |
Instruments | oboe I, oboe II, oboe da caccia, fagotto, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 06 July 1732 |
This recording | Tewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, Nathalie Stutzmann, Paul Agnew, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 141, disk 1, track(s) 13 14 15 16 17 |
Composer | Johann Sebastian Bach |
Title | BWV 178 Wo Gott der Herr nicht bei uns hält |
Occasion | 8th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | corno, oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 30 July 1724 |
This recording | Rendsburg, Christkirche, 13 August 2000 |
Performers | Monteverdi Choir, Robin Tyson, Christoph Genz, Brindley Sherratt, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 147, disk 1, track(s) 1 2 3 4 5 6 7 |
Composer | Johann Sebastian Bach |
Title | BWV 179 Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Audio) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | oboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 08 August 1723 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 179 Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Video) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, tenore, basso |
Instruments | oboe I, oboe II, oboe da caccia I, oboe da caccia II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 08 August 1723 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, Mark Padmore, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | OpusArte, disk [one disk only], track(s) 1 2 3 4 5 6 |
Composer | Johann Sebastian Bach |
Title | BWV 180 Schmücke dich, o liebe Seele |
Occasion | 20th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, flauto dolce I, flauto dolce II, oboe, oboe da caccia, Violoncello piccolo, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 22 October 1724 |
This recording | Genoa, Cattedrale di San Lorenzo live recording, 4th November 2000 |
Performers | Monteverdi Choir, Magdalena Kožená, Sara Mingardo, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 1, track(s) 13 14 15 16 17 18 19 |
Composer | Johann Sebastian Bach |
Title | BWV 182 Himmelskönig, sei willkommen |
Occasion | Palmarum |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | flauto dolce, violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 25 March 1714 |
This recording | Walpole St Peter's Church (Norfolk) live recording, 26 March 2000 |
Performers | Monteverdi Choir, Nathalie Stutzmann, James Gilchrist, Peter Harvey, English Baroque Soloists, Catherine Latham, Maya Homburger, Sir John Eliot Gardiner |
Album | SDG 118, disk 2, track(s) 1 2 3 4 5 6 7 8 |
Composer | Johann Sebastian Bach |
Title | BWV 182 Himmelskönig, sei willkommen (No. 1 and 2 only) |
Occasion | Palmarum |
Genre | sacred cantata |
Choir | four-part |
Solo voice | alto, tenore, basso |
Instruments | flauto dolce, violino I, violino II, viola I, viola II, basso continuo |
1st Performance | Weimar, 25 March 1714 |
This recording | Walpole St Peter's Church (Norfolk) live recording, 26 March 2000 |
Performers | Monteverdi Choir, English Baroque Soloists, Catherine Latham, Maya Homburger, Sir John Eliot Gardiner |
Album | SDG 114, disk [one disk only], track(s) 2 and 3 |
Composer | Johann Sebastian Bach |
Title | BWV 185 Barmherziges Herze der ewigen Liebe |
Occasion | 4th Sunday after Trinity |
Genre | sacred cantata, chorale cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe (alternatively: tromba), violino I, violino II, viola, fagotto, basso continuo |
1st Performance | Weimar, 14 July 1715; this recording is based on a revision performed in Leipzig in 1746 and re-performed in 1747 |
This recording | Tewkesbury, Abbey of the Blessed Virgin Mary live recording, 16 July 2000 |
Performers | Monteverdi Choir, Magdalena Kožena, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 141, disk 1, track(s) 7 8 9 10 11 12 |
Composer | Johann Sebastian Bach |
Title | BWV 186 Ärgre dich, o Seele, nicht |
Occasion | 7th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
1st Performance | lost original version: Weimar 1716; surviving revised version: Leipzig, 11 July 1723 |
This recording | Haddington, St Mary’s live recording, 5 or 6 August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Richard Wyn Roberts, Kobie van Rensburg, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 156, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11 |
Composer | Johann Sebastian Bach |
Title | BWV 187 Es wartet alles auf dich |
Occasion | 7th Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, basso |
Instruments | oboe I, oboe II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, 04 August 1726 |
This recording | Haddington, St Mary’s live recording, 5 or 6 August 2000 |
Performers | Monteverdi Choir, Katharine Fuge, Richard Wyn Roberts, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 156, disk 2, track(s) 19 20 21 22 23 24 25 |
Composer | Johann Sebastian Bach |
Title | BWV 188 Ich habe meine Zuversicht |
Occasion | 21st Sunday after Trinity |
Genre | sacred cantata |
Choir | four-part (final chorale only) |
Solo voice | soprano, alto, tenore, basso |
Instruments | oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, about 1728 |
This recording | Greenwich, Old Royal Naval College Chapel live recording, 11th or 12th November 2000 |
Performers | Monteverdi Choir, Joanne Lunn, William Towers, Paul Agnew, Gotthold Schwarz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | SDG 168, disk 2, track(s) 18 19 20 21 22 23 |
Composer | Johann Sebastian Bach |
Title | BWV 199 Mein Herze schwimmt im Blut (Audio) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | soprano |
Instruments | oboe, violino I, violino II, viola, basso continuo, fagotto |
1st Performance | Weimar, 12 August 1714 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Magdalena Kožena, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV Production, disk [one disk only], track(s) 7 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 199 Mein Herze schwimmt im Blut (Video) |
Occasion | 11th Sunday after Trinity |
Genre | sacred cantata, solo cantata |
Choir | solo only |
Solo voice | soprano |
Instruments | oboe, violino I, violino II, viola, basso continuo, fagotto |
1st Performance | Weimar, 12 August 1714 |
This recording | St David's, St David's Cathedral live recording, September 2000 |
Performers | Magdalena Kožena, English Baroque Soloists, Sir John Eliot Gardiner |
Album | OpusArte, disk [one disk only], track(s) 7 8 9 10 11 12 13 14 |
Composer | Johann Sebastian Bach |
Title | BWV 217 Gedenke, Herr, wie es uns geht (not confirmed to be written by Bach) |
Occasion | 1st Sunday after Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso |
Instruments | flauto traverso, violino I, violino II, viola, basso continuo |
1st Performance | not part of the BCP |
This recording | - |
Performers | - |
Album | [this work is missing in the SDG series], disk [one disk only], track(s) - |
Composer | Johann Sebastian Bach |
Title | BWV 248-V Ehre sei dir, Gott, gesungen |
Occasion | Sunday after New Year's Day |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | London, Abbey Road Studios, January 1987 |
Performers | Monteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV BWV 248, disk 2, track(s) 8 9 10 11 12 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 248-VI Herr, wenn die stolzen Feinde schnauben |
Occasion | Feast of Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | London, Abbey Road Studios, January 1987 |
Performers | Monteverdi Choir, Anthony Rolfe-Johnson, Ruth Holton, Katie Pringle, Olaf Bär, Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner |
Album | ARCHIV BWV 248, disk 2, track(s) 19 20 21 22 23 24 25 26 27 28 29 |
Composer | Johann Sebastian Bach |
Title | BWV 248-V Ehre sei dir, Gott, gesungen |
Occasion | Sunday after New Year's Day |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | Weimar, Herderkirche live recording, December 1999 |
Performers | Monteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | EuroArts, disk 2 (DVD), track(s) all |
Composer | Johann Sebastian Bach |
Title | BWV 248-VI Herr, wenn die stolzen Feinde schnauben |
Occasion | Feast of Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | Weimar, Herderkirche live recording, December 1999 |
Performers | Monteverdi Choir, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
Album | EuroArts, disk 2 (DVD), track(s) all |
Composer | Johann Sebastian Bach |
Title | BWV 248-V Ehre sei dir, Gott, gesungen |
Occasion | Sunday after New Year's Day |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | St. Martin in the Fields, London, December 2022 |
Performers | John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Nick Pritchard, Hilary Cronin, Alison Hill, Hugh Cutting, Jonathan Hanley, Frederick Long, Christopher Webb, Dingle Yandell |
Album | DG / SDG BWV 248, disk 2, track(s) 8 9 10 11 12 13 14 15 16 17 18 |
Composer | Johann Sebastian Bach |
Title | BWV 248-VI Herr, wenn die stolzen Feinde schnauben |
Occasion | Feast of Epiphany |
Genre | sacred cantata |
Choir | four-part |
Solo voice | soprano, alto, tenore, basso; usually complemented by: tenore (Evangelist), soprano (Angel), soprano (Echo), Bariton (Herodes) |
Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, oboe I, oboe II OR oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
1st Performance | Leipzig, probably between First Advent and Christmas 1734 |
This recording | St. Martin in the Fields, London, December 2022 |
Performers | John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Nick Pritchard, Hilary Cronin, Alison Hill, Hugh Cutting, Jonathan Hanley, Frederick Long, Christopher Webb, Dingle Yandell |
Album | DG / SDG BWV 248, disk 2, track(s) 19 20 21 22 23 24 25 26 27 28 29 |