SDG Cantatafinder
The Cantatafinder provides a fan-made database that covers Johann Sebastian Bach’s surviving church cantatas performed and recorded under the direction of Sir John Eliot Gardiner.
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In the calender: Jubilate BWV 12, 103, 146
Your query returned 13 results:
| Composer | Johann Sebastian Bach |
| Title | BWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded in London in 1999) |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | alto, tenore, basso |
| Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
| 1st Performance | of the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746 |
| This recording | London, St. John's, April 1999 |
| Performers | Monteverdi Choir, Bernarda Fink, Steve Davislim, Christopher Foster, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | ARCHIV BWV 34 et al., disk [one disk only], track(s) 20 21 22 23 24 |
| Composer | Johann Sebastian Bach |
| Title | BWV 34 O ewiges Feuer, o Ursprung der Liebe (sacred version recorded live in Long Melford in 2000) |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | alto, tenore, basso |
| Instruments | tromba I (D), tromba II (D), tromba III (D), timpani, flauto traverso I, flauto traverso II, oboe I, oboe II, violino I, violino II, viola, basso continuo |
| 1st Performance | of the underlying BWV 34a: Leipzig, 1726; revised BWV 34: Leipzig, in or before 1746 |
| This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
| Performers | Monteverdi Choir, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 1, track(s) 21 22 23 24 25 |
| Composer | Johann Sebastian Bach |
| Title | BWV 59 Wer mich liebet, der wird mein Wort halten I |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part (limited to chorale No. 3 / No. 5) |
| Solo voice | soprano basso |
| Instruments | tromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 28 May 1724 |
| This recording | London, St. John's, April 1999 |
| Performers | Monteverdi Choir, Magdalena Kožena, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | ARCHIV BWV 34 et al., disk [one disk only], track(s) 7 8 9 10 11 |
| Composer | Johann Sebastian Bach |
| Title | BWV 59 Wer mich liebet, der wird mein Wort halten I |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part (limited to chorale No. 3 / No. 5) |
| Solo voice | soprano basso |
| Instruments | tromba I (C), tromba II (C), timpani, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 28 May 1724 |
| This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 1, track(s) 8 9 10 11 12 |
| Composer | Johann Sebastian Bach |
| Title | BWV 68 Also hat Gott die Welt geliebt |
| Occasion | 2nd Day of Whitsun |
| Genre | sacred cantata, chorale cantata |
| Choir | four-part |
| Solo voice | soprano, basso |
| Instruments | corno, cornetto, trombone I, trombone II, trombone III, oboe I, oboe II, taille, violino I, violino II, viola, violoncello piccolo, basso continuo |
| 1st Performance | Leipzig, 21 May 1725 |
| This recording | Long Melford, Holy Trinity live recording, 12 June 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 2, track(s) 7 8 9 10 11 |
| Composer | Johann Sebastian Bach |
| Title | BWV 74 Wer mich liebet, der wird mein Wort halten II |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 20 May 1725 |
| This recording | London, St. John's, April 1999 |
| Performers | Monteverdi Choir, Magdalena Kožena, Robin Blaze, Christoph Genz, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | ARCHIV BWV 34 et al., disk [one disk only], track(s) 12 13 14 15 16 17 18 19 |
| Composer | Johann Sebastian Bach |
| Title | BWV 74 Wer mich liebet, der wird mein Wort halten II |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 20 May 1725 |
| This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Derek Lee Ragin, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 1, track(s) 13 14 15 16 17 18 19 20 |
| Composer | Johann Sebastian Bach |
| Title | BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo |
| 1st Performance | Weimar, 20 May 1714 |
| This recording | London, St. John's, April 1999 |
| Performers | Monteverdi Choir, Martina Jankova, Robin Blaze, Christoph Genz, Reinhard Hagen, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | ARCHIV BWV 34 et al., disk [one disk only], track(s) 1 2 3 4 5 6 |
| Composer | Johann Sebastian Bach |
| Title | BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten |
| Occasion | 1st Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | tromba I (C), tromba II (C), tromba III (C), timpani, oboe I, oboe II, violino I, violino II, viola, basso continuo |
| 1st Performance | Weimar, 20 May 1714 |
| This recording | Long Melford, Holy Trinity live recording, 11 June 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 1, track(s) 1 2 3 4 5 6 7 |
| Composer | Johann Sebastian Bach |
| Title | BWV 173 Erhöhtes Fleisch und Blut |
| Occasion | 2nd Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | flauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo |
| 1st Performance | unknown (first version probably written during the Köthen period); re-performed in Leipzig on 29 May 1724 |
| This recording | Long Melford, Holy Trinity live recording, 12 June 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 2, track(s) 1 2 3 4 5 6 |
| Composer | Johann Sebastian Bach |
| Title | BWV 174 Ich liebe den Höchsten von ganzem Gemüte |
| Occasion | 2nd Day of Whitsun |
| Genre | sacred cantata (the opening sinfonia is based on the first movement of the BWV 1048 Brandenburg Concerto No. 3 which Bach extended by 2 horns, 3 oboes and 1 bassoon) |
| Choir | four-part (final chorale only) |
| Solo voice | alto, tenore, basso |
| Instruments | corno I, corno II, oboe I, oboe II, oboe da caccia, violino I, violino II, violino III, viola I, viola II, viola III, violoncello obligato I, violoncello obligato II, violoncello obligato III, fagotto, organo, basso continuo |
| 1st Performance | Leipzig, 06 June 1729 |
| This recording | Long Melford, Holy Trinity live recording, 12 June 2000 |
| Performers | Monteverdi Choir, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 121, disk 2, track(s) 12 13 14 15 16 |
| Composer | Johann Sebastian Bach |
| Title | BWV 175 Er rufet seinen Schafen mit Namen |
| Occasion | 3d Day of Whitsun |
| Genre | sacred cantata |
| Choir | four-part (final chorale only) |
| Solo voice | alto, tenore, basso |
| Instruments | tromba I, tromba II, flauto dolce I, flauto dolce II, flauto dolce III, violino I, violino II, viola, violoncello piccolo, basso continuo |
| 1st Performance | Leipzig, 22 May 1725 |
| This recording | Blythburgh, Holy Trinity church live recording, 13 Juny 2000 |
| Performers | Monteverdi Choir, Nathalie Stutzmann, Christoph Genz, Stephan Loges, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 1, track(s) 10 11 12 13 14 15 16 |
| Composer | Johann Sebastian Bach |
| Title | BWV 184 Erwünschtes Freudenlicht |
| Occasion | 3d Day of Whitsun |
| Genre | sacred cantata, (whilst performed in Leipzig in 1724 and 1731, this cantata is a borrowing from the secular 184 a, Köthen, title and date of performance unknown) |
| Choir | four-part |
| Solo voice | soprano, alto, tenore |
| Instruments | flauto traverso I, flauto traverso II, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 30 May 1724 |
| This recording | Blythburgh, Holy Trinity church live recording, 13 Juny 2000 |
| Performers | Monteverdi Choir, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 1, track(s) 4 5 6 7 8 9 |