SDG Cantatafinder
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The Cantatafinder is a fan-made search tool and covers Johann Sebastian Bach’s surviving church cantatas recorded under the direction of Sir John Eliot Gardiner.
Author: Alexander Behrens Privacy Policy
In the calendar: Jubilate BWV 12, 103, 146
Your query returned 4 results:
| Composer | Johann Sebastian Bach |
| Title | BWV 129 Gelobet sei der Herr, mein Gott |
| Occasion | Trinity Sunday |
| Genre | sacred cantata, chorale cantata |
| Choir | four-part |
| Solo voice | soprano, alto, basso |
| Instruments | tromba I, tromba II, tromba III, timpani, flauto traverso, oboe I, oboe II, oboe d'amore, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 16 June 1726 or 08 June 1727 (several re-performances) |
| This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
| Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 2, track(s) 19 20 21 22 23 |
| Composer | Johann Sebastian Bach |
| Title | BWV 165 O heilges Geist- und Wasserbad |
| Occasion | Trinity Sunday |
| Genre | sacred cantata |
| Choir | four-part (final chorale only) |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | violino I, violino II, viola, basso continuo (+ fagotto) |
| 1st Performance | Weimar, 16 June 1715 |
| This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
| Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 2, track(s) 13 14 15 16 17 18 |
| Composer | Johann Sebastian Bach |
| Title | BWV 176 Es ist ein trotzig und verzagt Ding |
| Occasion | Trinity Sunday |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, basso |
| Instruments | oboe I, oboe II, oboe da caccia, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 27 May 1725 |
| This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
| Performers | Monteverdi Choir, Ruth Holton, Daniel Taylor, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 2, track(s) 7 8 9 10 11 12 |
| Composer | Johann Sebastian Bach |
| Title | BWV 194 Höchsterwünschtes Freudenfest (part I for Trinity Sunday) |
| Occasion | initially secular piece after 1717; re-usued as "Concerto Bey Einweihung der Orgel in Störmthal" (Dedication of the Organ at Störmthal) in 1723; Bach re-used part I of this cantata for Trinity in 1724, 1726 and 1731 (as in this recording) |
| Genre | sacred cantata (borrowing from the secular lost Köthen 194 a) |
| Choir | four-part |
| Solo voice | soprano, tenore, basso |
| Instruments | oboe I, oboe II, oboe III, violino I, violino II, basso continuo (+ fagotto) |
| 1st Performance | this sacred borrowing: Leipzig, 02 Novermber 1723 (date of composition of the lost original: ?late? Köthen period) |
| This recording | Kirkwall, St. Magnus Cathedral live recording, 18 Juny 2000 |
| Performers | Monteverdi Choir, Ruth Holton, Paul Agnew, Peter Harvey, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 138, disk 2, track(s) 1 2 3 4 5 6 |